These ideas are exposed to greatest effect when using the critical perspective of deconstruction in an attempt to see the story from another character’s perspective. As these concepts are difficult to define or explain, literature provides examples and analogies that bridge gaps in understanding as well as pose new questions to be answered. It also helps us to understand how these ideas were being formed and reinforced within the society in which these texts were written. Bram Stoker’s story of Dracula is very popular and has been depicted in numerous films and other materials for years. It is therefore difficult to come to the book without any pre-conceived ideas about the plot. However, reading the book is vastly different from simply watching the movie and provides the opportunity to see the story as it really is – a collection of writings that may have been as much fiction as the novel itself.
The book begins with the journal entries of Jonathan Harker, a British lawyer traveling through Transylvania in order to complete a deal for his employer with Count Dracula who resides deep within the Carpathian Mountains. Within this journal, Dracula is portrayed as a man charming enough to set his guest at ease despite a shrieking instinct and misgivings founded on village rumors. He is described as ‘courtly’, ‘charming’ and ‘courteous’ even as he provides his guest with a warm and comfortable luxury suite in which to stay (Stoker, 1897: Ch. 2). He has ruddy red lips that give him an “unexpected air of vitality” (Ch. 2), but his breath is horrendous, making Harker feel ill. Harker also comments upon Dracula’s extremely pale complexion, the unusually pointy teeth that protrude over his bottom lip and the icy cold touch of his hands, which have, incidentally, been manicured to provide him with very pointy fingernails. His journal is so detailed because it ...
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Save for the conflict typically anticipated to be resolved upon the arrival of Dr. A. Van Helsing, Coppola's rendition strayed much from the classic one when the former attempts to give account of the nature Dracula has lived by prior to becoming a vampire.
However, his character is developed through a sense of ’otherness’ which means that he is outside of the human condition, not only for his affliction of vampirism, but for his nature for being foreign. His accent, his customs, and his cultural influences position him as a threat.
It emphasizes the imposed boundaries for women and sex and how they should be handled. They have a bearing on the gender issues of the time. If an issue that engulfs the important fields like science, sociology and philosophy, it is sex and gender. It is extensively discussed and the viewpoints are similar as well as contradictory.
It also majors in the existing battle between Dracula himself and a small group of men and women, which is led and guided by Abraham Helsing. This story has been assigned several genres including horror fiction, vampire literature, invasion literature, as well as, gothic novel.
Bram Stoker’s Dracula: An Analysis of Historical Meaning through the Lens of Empire Although at face value it might be easy to accept Bram Stoker’s seminal work Dracula as little more than a horror classic which helped to re-engage the reader’s imagination with the age-old folklore of vampiric legend, the fact of the matter is that the novel itself was highly more nuanced that might at first be realized.
Blood is linked to vampires, together with vampirism; they rely on blood to exist. The books dwell on supernatural aspects that are founded on, dim, and turbulent nights, destroyed castles with undisclosed passage and forces of evil
In Gothic fiction, deviant or unusual sexuality is usually portrayed alongside torment and fear. In Gothic fiction, abnormal sexuality is usually related to mystical creatures, such as vampires or monsters. This link between the mystical and sexuality in Gothic fiction appears visibly associated with the sexual indulgence pinned on the evil spirit.
g with the power to control other people’s minds, whereas the latter is a science experiment that goes awry by a scientist, who is the titular character of this story. Both Stoker and Shelley have been credited immensely for revolutionizing the genre; the greatest critical
In “Dracula” by Bram Stoker, Count Dracula is the protagonist, with several other characters working alongside him. Dracula has a variation of characteristics that portray him as the best protagonist in the
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