to the ironic interpretation, the traveler’s choice could have been for nothing, which is evident by his “sigh” in line 16 that might have been a sign of regret for taking this road. These two points of view can be supported or argued against through other literary devices that are seen throughout the poem, such as imagery, symbols, tone, and many others.
The first line of the poem “two roads diverged in a yellow wood” provides the greatest example of imagery, clearly showing that there was a fork in the path of a forest that was currently experiencing autumn. Calling the wood “yellow” would suggest that the leaves are in the process of changing colors. Furthermore, as the setting of the poem is a path in the woods, it is easy for the reader to conjure an image to match what they are reading; there is no limit of the imagination when it comes to thinking of a forest in autumn. Lines eleven and twelve also displayed imagery, giving an excellent view of what the two paths looked like in comparison to each other. The reader knows that the use of imagery is successful when they can easily bring up the image provided by the written word in their mind’s eye, just as Frost’s poem was able to accomplish.
The setting of the poem also has to do with the symbolism. The two roads forming from one road in the woods symbolizes the choices that people must constantly make throughout their lives. The well-used road is the easy path that most people would rather take, while the less traveled road is the more complicated option that people prefer to avoid entirely. Frost makes a claim at the end of the poem, stating that “I took the one less traveled by, and that has made all the difference”, which can symbolize the change in a person that decided for the more difficult, unpredictable path. Life is about the journey, and choosing the easy way out leaves no lasting impressions.
The tone of the poem is that of wistfulness, as the author thinks back on the