She stood up and demanded to be heard and accepted; she never looked back and always stood her ground. She is certainly not to be forgotten. This essay functions as a general retrospective of the life and writings of Aphra Behn. Section I considers her background and career as a writer, including her time spent working as a spy for England; section II is an in-depth analysis of one of Behn’s most renowned works, the novel Oroonoko; finally, section III considers the extent to which Aphra Behn should assume her rightful place among the Western literary canon, ultimately arguing for her inclusion.
Aphra Behn, also known as Afra, Aphara, or Ayfara, was baptized at Waye, Kent, in 1640. Behn’s father was a barber named John Johnson. During the restoration period in which her father was raised record keeping wasn’t as well structured as contemporary standards; as a result, Behn’s father’s status is not entirely known and parts of Behn’s early childhood are shrouded in history. As a result, historians turn to her works for insight into these early childhood years. During these years she went to Surinam, and then in 1658 she returned to England. Behn’s time in Surinam was a pivotal development period in her life, as it was during this period that she acquired significant historical knowledge of the area, as well as personal knowledge of the African prince Oroonoko. Later in life this experience would be explored in her seminal novel Oroonoko (Hobby 1990).
After returning to England from Surinam she married a London merchant with a Dutch extraction. Her intelligence and extraordinary wit made her a favorite at the royal court. After her husband’s death Charles II appointed her to a position as a spy within Netherlands for the Dutch war. She proved to be an effective spy for England; her code name was “Astrea”, and she was also known as Agent one hundred ...
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(Aphra Behn Term Paper Example | Topics and Well Written Essays - 2000 Words)
“Aphra Behn Term Paper Example | Topics and Well Written Essays - 2000 Words”, n.d. https://studentshare.net/miscellaneous/401946-aphra-behn.
Women Characters in ‘Othello’ and ‘The Rover’. Literature evolves from life. Whether it is Elizabethan age or very recent canon of post-modernism, literature has continued to bear the imprints of life and society within the compass of its creativity.
LANGUSGE AND THEMATIC ANALYSIS OF THE EXCERPT FORM THE ROVER By writer To customer 12 April 2011 This excerpt has been taken from the play ‘The Rover’. This scene projects three characters Willmore, Angelica and Moretta. The scene depicts a mild battle of wills between Willmore and Angelica for Angelica because apparently Angelica is an expensive and popular courtesan and Willmore is a merchant with charm, wit and is an expert at utilizing words for persuasion however he has no money.
This research aims to evaluate and present the role of women in The Rover by Aphra Behn. Through the characters of Helena and Florinda, Behn illustrates how women in eighteenth century Europe endured the restrictions of a severely patriarchal society, which denied them the right to make their own life decisions.
‘Oroonoko’ (Aphra Behn) ''Texts in this period are less interested in performances as such than in what happens when those performances break down or fail'' It is a fact that one of Aphra Behn’s texts, known as “Oroonoko”, was not well-received by the English public when she wrote it in the seventeenth century.
Significantly, the original full title of the play suggests that it was a tribute to Charles II who was the formerly exiled cavalier and newly reinstated king of England and there are several instances in the play which indicate that Behn repeatedly treat Puritans and democracy roughly.
But why Nowhere is it intimated that Oroonoko has any European parentage. It is therefore very important to discern the reason why Behn distinguished Oroonoko from his fellow Africans. Without fully grasping why Behn attaches such European characteristics to her hero the careless reader runs the risk of being left with the impression that the whole story is but a racist endeavor to assign to an African man attributes that inevitably raise the specter of assessing superior masculine looks from a Western point of view.
Aphra Behn, the first female playwright in the English language who was able to support herself with her writing, has garnered this tribute from Virginia Woolf:
All women together ought to let flowers fall upon the tomb of Aphra Behn, which is, most scandalously but rather appropriately, in Westminster Abbey, for it was she who earned them the right to speak their minds.
It is pertinent to point out that the restoration of monarchy in 1660, besides other consequences, was followed by the repeal of the preceding Puritan restrictions and rigid censorship towards literature. As a result, so-called
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