This transformation product was supported by a pompadour frame that was easily purchased. The frame was used as a base for the hair style and the woman’s hair would be built up over the frame and smoothed out. A Marie Stuart frame gave women a heart shaped Elizabethan look once the frame was covered with natural or false hair. If extra matching hair was needed to get the right effect, a woman would collect personal hairbrush combings and add them onto the frame. Styling effects were made possible by frizzle fringes, false curls and switches. A wide range of coiffure styling was made possible by plaits, false frizzettes and false switches. Any gaps in hairstyles were filled with small wave pieces and extra curls.
There was a wide range of hair styles in the Edwardian era. At night hair had to be worn higher than was the case during the day. The illusions of height were achieved by plumes, aigrettes, feathers and ornaments. Curling tongs were often used by many women in curling their hair. The zealous maids of these women sometimes overheated the curling tongs, which lead to singed heads. The Karl Nestle permanent weave machine was introduced at this stage. Women had to sit attached to this machine for up to 12 hours so as to achieve permanent curls. Even today, women are still vain for the sake of fashion because they still sit for long periods of time to get hair extensions. Width was considered an essential part of hair styles. Women would wear wide hats that had to be supported by the transformation frames that the women wore under their hair. A Grecian styling of hair became popular by 1913. This new style followed the natural shape of the women’s heads.
Throughout all ages, women have been experimenting with different beauty treatments that enhance their natural features. The middle ages in Europe followed the trend of pale faces that were common in Greece and Rome. Those people who were affluent and did not have to work