These issues were sensitively and subtly dealt within the novel ‘Heart of Darkness’ which has made it one of the milestones in the cannon of the post-colonial text which is more received for attacking scathingly the ambitious and uncontrolled pursuit of the imperial countries. “Heart of Darkness” is a living example of the paradoxes regarding the imperial pursuit of White race on the Dark and the Colonialist on the Coloniser.
Before providing an in-depth glance at the novel, it becomes essential to understand the motif of Conrad operating behind the plot of the novel. Conrad’s “Heart of Darkness” is a quintessential parable of post-colonialism and is a multi-layered story with abound irony and deception. At the same plane, it is a story where racism operates so blatantly that it almost launches its readers into a realm of dilemma of handling race predominant to any other faculty in the book which can be dealt with. The use of liberal, derogatory, out of place and almost obsolete terminologies which are quite offensive at places along with the overt devaluation rather dehumanization of people on the basis of colour and terms such as savages, niggers and cannibals eclipse myriad contemporary mind with darkness and doubt.
Chinua Achebe, one of the poignant Nigerian author views Conrad as a hard-core racist and claims, “Certainly Conrad had a problem with niggers. His inordinate love of that word itself should be of interest to psychoanalysts. Sometimes his fixation on blackness is equally interesting, as when he gives us this brief description: “A black arms”—as though we might expect a black figure striding along on black legs to wave white arms! But so relenting is Conrad’s obsession. (Achebe, “The Heart of Darkness by Joseph Conrad”)
A very clear intention of the dehumanizing of all the characters within the novel can be clearly pointed out. Through the process