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"Similar and differences between poems. Ulysses by Alfred, Lord Tennyson and The Love Song of J. Alfred Prufrock by T.S. Eliot"
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This essay examines the similarities and differences of the two poems.
Elliot’s and Tennyson’s works of art are in the same way dramatic monologue poems. Both poems center on an aged character that lacks confidence and contentment in life. Ulysses, the narrator of the latter writer’s poem reveals his sorrowful feelings to an unknown listener after returning from his explorations. Similarly, Elliot’s work has only one narrator named “J. Alfred Prufrock.” He, like Ulysses, is an aging unselfconfident man who talks about his unexciting life. Yesterday is in no way different from today. As mentioned by Prufrock, his life is uneventful as ‘time passes by carefully’ (line 75). Thus, the two poems suggest a lonely theme as Prufrock believes his useless life and Ulysses years to do more explorations.
Additionally, both poems bring up the word “water.” Elliot includes the word in the line, “When the wind blows the water white and black” (line 128) as the narrator describes how mermaids’ comb their beautiful hair that intimidates him for he is bald. Moreover, Ulysses mentioning how he wants to go back to the water reveals his wanting to travel more. The two displeased speakers don’t fail to remember death as well. Elliot presents Prufrock’s grief by saying he has seen the “eternal Footman” (line 85). The footman pertains to the person who helps the soul of a dead person to go to another dimension or afterlife. Tennyson, in the same instance, reflects death on Ulysses. The speaker who is a traveler wants to sail away from death to have the chance to explore and have more adventures.
Tennyson and Elliot both use Allusion on their works. In Prufrock’s speech, he mentions “work and days” (line 29) which is exactly the title of the Greek poet Hesiod. Another allusion used is “dying fall” (line 52). The expression was popularized by Shakespeare as it was used in his work “Twelfth Night.” The words and phrases “prophet” ...
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Thus, the poem stresses on the downfall of human intellect as the primary cause of man’s inability to understand the true meaning of life. It is the goal of this essay to explore the main theme discussed by examining the character of Alfred Prufrock and how he views himself, other people, and human life in general.
The poem consists of a dramatic monologue by the central character that is J. Alfred Prufrock, trying to come to terms with the social setup in which he is placed. In the poem T.S. Eliot presents Prufrock as an anti-hero who is timid, middle aged, unsure, indecisive and confused.
It is maybe because of his mixture of cultures, seeing how they were slightly different from the United States to the United Kingdom, that he put so much attention on symbolism in his work. “Eliot is known for his critical and theoretical writing, particularly for his advocacy of the ‘objective correlative’, the notion that art should not be a personal expression, but should work through objective universal symbols” (“T.S. Eliot”, 2006).
He concluded his studies in Sorbonne and Oxford.
In 1914, he took up residence in London, subsequently becoming a British subject in 1927. He taught at a boys’ school, worked in a bank and became an assistant editor. In his infrequent leisure time,
Alfred Prufrock is given the impression that they are intimately involved in the workings of the main character’s mind. As Prufrock thinks through his monotonous life, he reveals his own insecurities and fears to be the influential factor involved in
However, Prufrock is afraid to make advances because of the perceptions he assumes others have of his inadequacies. In his opinion, he “should have been a pair of ragged claws / Scuttling across the floors of silent seas.” He despises himself to the
The devices confirm that Eliot is more concerned with something that is larger than a man’s obsession with a woman.
The poem covers the idea of hell through the Dante’s Inferno epigraph. The allusion from Dante’s work
em’s speaker, appears to be addressing a particular potential lover, with whom he wishes “forcing the moment to its crisis” (CP 2) by somehow achieving their relationship.
Prufrocks paralysis follows certainly from this subjectivism of everything. If each perception is an
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