She thinks she knows who she is, she knows what she wants, and she is ready to achieve these things in any way possible. Mama claims that Dee “has held life always in the palm of one hand, that "no" is a word the world never learned to say to her.” Maggie, on the other hand, is very unsure. She spends most of her time preparing for Dee’s visit on how she looks, too aware of what Dee may think of her. Even though she is young, something that her mother constantly reminds herself of, her lack of confidence makes her seem younger. During the conflict involving the quilt, Mama notices that Maggie is more than willing to give up the blanket because she knows she is going to lose the fight to Dee.
While it is clear that Dee and Maggie are fond of each other, even if on a deep-down level, there is still quite a bit of tension between the two. Mama is the first one to point out the tension. Dee is disappointed by Maggie, with Mama making the claim that she used to believe that Dee downright hated her sister. Though living in the same house while growing up, the two sisters existed in different worlds. Educated and worldly, Dee was always disappointed by Maggie, childish and unintelligent. Similarly, Maggie is nervous of Dee, and for many of the same reasons. Maggie is also nervous of her sister due to the physical damage she received when her house caught on fire, while Dee had made it out of the house in time. Always being compared to her sister by her sister, Maggie had grown to respond only with nervousness when Dee was around.
Perhaps the only person that Dee has respect for is herself, while Maggie has respect for others, especially her own family - a trait that shocks Mama towards the end of the short story. While Dee spends much of the story trying to obtain family heirlooms from her mother, she becomes persistent over a quilt that Mama had promised to Maggie. "’Maggie would put them on the bed and in five years theyd be in rags. Less than ...
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Dee exhibits confidence to the point of arrogance, while Maggie has no shred of self-esteem in her. Dee also abhors their rural life, including their house, and during her younger days, desired the wealthier city life. Maggie, on the contrary, cherishes her rural life like her Mama.
Her current work under discussion came into limelight in the year 1973. The story revolves around a lady belonging to the ‘South’ and her two daughters. Based in the arena of the 60s and the 70s the story is an outcome of the emerging ‘Black’ socialist movements hat were all flared up in those years.
The plot and settings of the short narrative is based on the return of Dee, who is thought to be successful due to the education she has received. Her mother’s imaginary hopes are that her daughter will return home a grateful woman, for all her mother has done to ensure that she receives a good education.
Mama valued being capable and useful herself. Dee wanted to show off as part of her image as a Black American with status, power and new values. She was somehow materialistic and false. These precious items, in particular the quilts, were a metaphor for the differences in values and cultures between Dee/Wangaro on the one hand and Mama and Maggie on the other.
Dee’s external appearance gives the impression that she is proud of her heritage, but she has actually rejected her roots and exhibits her heritage only as an exotic accessory to her life.
Dee’s physical appearance is contrived to give the impression
are closely related to each other yet their perspectives on life and their concept of history remains quite diverse as each of them have led different lives.
Mama, who is the central protagonist of Walker’s narrative, had been brought up in an atmosphere where colored people
People had to associate with the appropriate grouping or risk social ridicule. The commonly held notion was that the whites were superior to the African American community who therefore had to subordinate the