100 Years of the Art Design and Media - Essay Example

100 years of art design and media Part modernism Modernismin art represents can refer to the change in the creative response of the world that is in line with Modern rational practices. Either for something to be considered modern in its context it should embrace the modern life forms rather than the past methods and perspectives. Sometimes modernity comes with accompanying technology and other forms of innovations, as they may be required in a particular media, design or work of art. The exclusive portray of perspectives in their current situation in the modern context. In the context of modernist people, tend to accept more of the contemporary forms of art, media and designs as compared to the past forms of the same media. This makes adjustments in art media and necessary design component in the embracing of modernity. In the world of art and media, modernity appears as a definition of evolving the nature of demand for items of art design and media. People are changing in many perspectives in line with the changes that occur in the environment (Murphie and Potts, 2003, p. 23). Either, the methods of production performance and utilization of art services is tremendously improving. The change experienced in these aspects leaves the fields of art a chance to evolve to suit the other changes that take place in these areas. It is in the deep roots of these changes that the term modernism is coined. In this, it represents the ever-changing trends in the society as the society moves along the time span. In the context of this modernism, people will tend to consume things that are in line with their concept of modernism (Murphie and Potts, 2003, p. 23). Therefore, in these arts, media and designs with a perception of not being modern are left without a market of consumption. The term Modernism traces back to the period of the 1850s. During this time, it formed the ground for acceptable to a particular period. As discussed above the condition is highly considerably dynamic. What was considered modern in a particular period will not be after some time. This is because the evolving and changing nature of innovations and technological which creates demand for the improvised forms of art (Murphie and Potts, 2003, p. 27). This makes modernism have features of continuous changes and denunciation of conservative values that will represent a realistic world. From the time of interception, the term has continuously changed to reflect the changes that occur in the society in terms of the art and design preferences. At a particular time, the term modernism will reflect the changes at that period in that the social. Therefore, it continuously changes The art in the modernism can also be depicted to particular social and political agendas. These are in line with the perceived ideal visions of the human life in the society together with their beliefs (Murphie and Potts, 2003, p. 25). This makes modernism and modernistic art to describe a succession or movements in arts engagement in realism. Therefore, in this aspect forms a dominant part in art and particularly thin in the field of art design and media that forms an extremely influential part especially in the consumption of the articles. Part two; drama and garment of choice in action movies Watching a movie two thing that come very distinctly is the drama in a film and a piece of garment worn. A person can tell from the look of the garment the type of drama and vice versa. It is common to associate certain types of the garment with particular drama, and the same applies in most cases where the drama type indicates the type of garment to be worn. This special relationship has grounds in the aspect of culture the movies drains its roots. The relationships between these two aspects in a move are not all the time linear; sometimes it is opposing making them complementary in some movies and supplementary in other movies. Therefore, the drama in a specific movies and the type of garment design in a movie can have various similarities and differences. The comparison explained in this article draws widely from the action movies dramas. In these dramas, most of the drama shows people as either victim of violence or the performers of violence (Straubhaar et al., 2013, p. 23). In most of these movies, sees most of the victims as well doing members in the society. They do the right thing to continue earning their living within the society. In this type of drama, the victims are most of the time innocent for they do not revoke the action they receive from their counterparts (Straubhaar et al., 2013, p. 24). On the other hand, the perpetrators of the crimes do not want to earn their living in an honest way. In this drama, they seek to continue their lavish living by exploiting the poor. In the aspect of garment choice, over the ages the movies have shown people to wear by the role they play in the said movie. Different people wear and conduct self in distinctive. It becomes obvious in such a movie what different people will wear depending on the type of the role they play in that movie. Either, it is also predictable from what type of garment the actor wears, the role they will play (Straubhaar et al., 2013, p. 24). However depending on the movies, some of the times along the evolving art and media directors choose different garment to avoid the obvious predictability in the movies making it different. In most of the movies, the garments go hand in hand with drama. The dramas show different but distinct garments for specific actors. For instance, the victims will take a cheap but well-designed garment that depicts their status (Hardison et al., 1989, p. 25). On the other hand, the strong or the perpetrators of crime will take gang related garments that show clear their role in the society. It comes apparent from the moves that the victims and the perpetrators will wear the same in most of the cases, the distinctive character being on how rich the garment is designed (Dym et al., 2004, p. 24). However, along the in the postmodern context this has changed significantly, people can interchange in the garment or wear unique non-classifying garments. For instance, it is common to find the gang rings to wear clear white shirts something that was not present in the previous movies. This clearly makes these two aspects to being different Part three; case study how has camera improved the image quality over time In the history of art and media, the cameras have come a long way. From the traditional era, the changes have been made to accommodate the ever-changing technology and innovations. Both in the traditional era modern and postmodernism changes in the innovation in these cameras have gone a long way to improve the quality of the images. Consequently, the demands for better and better images have risen in virtually all aspects of photography. The images have become more and clearer with better resolutions. Besides the camera, based innovations have largely contributed to the extension of media and have positively affected the media. From this perspective of increased consumption, people have more turned to the camera art as opposed to drawings. To a larger extend, the growth of consumption in the photo and emergence of photo artistic as attributed to the evolvement and innovations that have been made to the camera. Whereas the technology behind the cameras was coined a couple of decades ago, it is undeniable on the distinction of the modern cameras as compared to the past cameras. The most notable difference in these two distinctions, however, lies in the image quality. The first initial camera usually captures the films and photos in black and white (Goggin, 2012, p. 34). In this, they lacked the color element of the modern photo. The image reality therefore between these photos is great. The development of the first cameras was based on the simple technology that could not allow taking of the photos in color. Over ages of innovation, this phenomenon has been looked into by other people in attempts to make the use of cameras cope with the wave of change. The result of their effort was four colored camera photos, which could only take still photos (Hardison et al., 1989, p. 25). Also, with additional revolutions, the color diversity of these photos has greatly increased to 6 million colors that have the capacity to capture reality. With increase magnification lens and incorporation of high definition devices in the cameras, the camera of the postmodern age produce images that are of high resolution (Goggin, 2012, p. 34). The high definition devices make the image quality to depict that of a reality making the consumption of the photos exceed those of drawn art. Hence, photos are clearer than the former days. Another aspect that has greatly changed affecting the image quality is the ability of these cameras to capture still and photos in motion. Initially, the cameras could only take still photo. This is greatly diminished the ability to capture motion pictures that showed reality. The emergences of the film technology in 1900 have greatly helped in the media that greatly depend on the motion images (Goggin, 2012, p. 34). In this field also the images have continuously undergone specific changes to accommodate the changes in the picture quality. The cameras currently have the ability to capture high-definition images of motion that are crucial in the media broadcasting. Both the different animations and abilities to edit the photos provide for avenues to alter the images captured by the photos making them clearer and captivating (Goggin, 2012, p. 34). Indeed, this improved quality of photos has made their consumption increase. In line with the changing demand for the images and high-quality image producing cameras, there have ben innovations in the cameras continuously. Over time, the size of the camera has continuously decreased to fit in the hand. The previous cameras used to be large and heavy to carry around. The materials for the used to make the cameras used to be heavy thus making them bulky (Goggin, 2012, p. 34). However, with recent innovations the technology has seen people transform the camera sizes to the pocket-friendly cameras (Hardison et al., 1989, p. 25). Even though some cameras are, still a large majority of the personal, cameras are small. On the other hand, most of the large cameras are professional cameras that have increased functionality. Besides, even though they may be the same size as the cameras of the 1900s, there is much increased functionality difference between the two cameras (Goggin, 2012, p. 34). Reducing the cameras size and adding the new features to these cameras have gone a long way in increasing the image quality. It has also given the easy artist time carrying the cameras around thus easy to capture scenes at all the places. As the cameras sizes have continuously reduced, they have found their way into other devices. This has greatly increased the ability of different people to acquire the cameras. Additionally, this has spread the artistic work spreading it as to all aspects of life. Cameras have been integrated into devices like watches phones and other electronic appliances (Goggin, 2012, p. 34). Their portability and ease of use have transformed a large number of people to be artistic something that was reserved for few people. Initially, the cameras were stand-alone, and they were most of the time specialized. They were bulky to carry and difficult to use. A person needed to time the device was the objects or people to using them used to stand still to avoid damaging the reputation of the photo. In the middle of the 20 century, however, the elements of change transformed this camera into a single device for both still and mobile photos (Goggin, 2012, p. 34). The later innovations made the device single to the extents it could not easily stand alone. In this, it was incorporated into cell phones transforming the media devices to super cameras. Currently, almost all phones have cameras a tradition that is easily changing to other electronics like watches and other electronics (Hardison et al., 1989, p. 25). The use of media in this brought about by the use of cameras forms a great inspiration to the artist who cannot afford the stand-alone cameras. However, the intensification is prevalent in the areas of computer usage to improve the quality of the photos. In acceptance of this changes into a camera, these devices some software to improve the quality of the photos. Similarly, some applications for the computers and phones have been integrated into the cameras. The result of two of this combination is even better photos and image quality. In this, the photos have become increasingly editable making them better in various ways by adding artistic features (Dym et al., 2004, p. 245). First, the backgrounds of the photos have continuously made better making the images appealing and more acceptable among the consumers (Goggin, 2012, p. 34). With better and acceptable background as an artistic feature, the images have acquired better and improved in appearance. Either the resolution of the previously captured has significantly been altered. The photos can be changed in quality by adjusting the poorly taken images by the cameras editing what was not already present in these pictures. This does not only make the photos more appealing but also desirable (Goggin, 2012, p. 34). There have been also emerged computer artists from the camera improvisation. These artists combine the elements of the computer applications and the cameras to come up with pieces of art that have gained much admiration. These include animated photos that tend to make the still objects move. By the use of this part of the art, people have given nonmoving objects movable properties thus making the curiosity to those images increase (Hardison et al., 1989, p. 25). Either the view of the scene has continuously gained momentum to be more likely than the previous aspects. Besides, it has become an element in the society for the consumers as this forms educative purposes for them (Goggin, 2012, p. 34). On the other hand, it is possible to adjust the images in these camera captured images. This includes framing of the pictures and the images element that was not present in the former photos. With these clear boundaries of an image, it is placed avoiding ambiguity (Goggin, 2012, p. 34). Also, the framing of a photo makes it more appealing thus more marketable. Different artistic frames have been designed to make the images unique. Apart from framing, there have been increased photo design artists. These use the camera copy photos and use designed graphics to make them look more appealing. The combination of these methods have enhanced the use of art in the pictures and performed a great task from the basic sketches of the last century to the current high-quality photos. Finally, along the evolution of cameras they have been equipped with sharing abilities. This can be to the social media or other devices (Goggin, 2012, p. 34). Once a person has taken a perfect shot and edited to make it look even more appealing, they share with prospective consumers (Goggin, 2012, p. 34). These can be people they know or over the social media. The photo artists widely use this strategy to market their high-end photos. Indeed, taking of photos have made massive adjustments to fit the status. Either the image quality has greatly improved because of these camera changes. This has continuously given birth to the new generation of artists who can utilize the existing technology to continue the work of artistry. Whereas the transformation of the image quality owes much to the development of a better forms of cameras, it equally has an enormous element of use of computers to design these photos. It is the combination of these two resembling aspect that as continuously driven changes in the photo and multimedia industry to its status consistently providing people with quality images. Part four; themes of postmodernity versus what is postmodernism In the themes of most postmodernity, Steiner Kvale focuses on the use of art to explain the truth objectivity to the reality. Besides, he employs the use of societal language in the construction of facts and the emphasis on the universal construct (Rosenau, 1991, p. 23). He utilizes narrative and storytelling in the presenting his plea. The work of art in the post-modernism era as Steiner Kvale depicts it represents the period of after modernism. Whereas it proves difficult to measure what seems to be a reality, it becomes handy for people to accept things the way they are; postmodernity is a way to modernity. Postmodernity, as described by Kvale, is diverse and accommodates many views or diagnosis, and they can attract various interpretations in terms of culture and phenomenon (Rosenau, 1991, p. 19). Besides, unlike in the modernism, the postmodernism have features like belief objective loss and has a basis to secure objective reality. Either he places the postmodernism to have a future of growing public acknowledgement and the full aspect of the embodying theory that all together makes this to be an interesting approach (Rosenau, 1991, p. 29). Similarly, he identifies postmodernism as paganism, transmitting of truth justice and beauty. Therefore, he combines the social and linguistic constructs of the development of technology and media in reality and the use of media world to distinguish between fantasy and reality. The themes in the postmodernism text are important in the understanding of the art in the 100 years. It sheds light on the reality in the world of altered reality. It offers a clear distinction between the modern and the postmodern era of the artwork. On the other hand, in the article what is postmodernism, Charles holds that postmodernism is not a super substitute for its predecessor modernism (Rosenau, 1991, p. 24). He describes it to be less mature and better but not definitely. For this reason, an increase in the number of literature in the world today cultures with the basis in postmodernism can favorably compare to the rather, modernism. As broad cultural movement, postmodernism has distant variants s almost in all fields of art. It can depict both the regional local and most of the cultures in the hegemony of modernism. As Jencks puts it, post-modernist reaffirms that the concept of plurality present in postmodernity provides it with necessities in moving across the boundaries and interaction of other genres (Rosenau, 1991, p. 24). Therefore, a delicate correlation between modernism and postmodernism is worth discussing. This is because Jencks shows postmodernism not as an alternative to modernism but rather traditionalism. Either, Jack believes Postmodernism to be a new worldview or even closer, postindustrial outgrowth of art that is not equally perceived by others (Rosenau, 1991, p. 23). Therefore, in this context, Jencks shades light in the definition of this term that is significantly confused. It is in appreciation of the art in the 100 years that the term of post-modernist is gaining popularity. However, the crucial aspect of this article is the distinction of the phrase from the rather. It provides insight that will form the basis of avoiding disparities. The use of this definition of postmodernism, therefore, constitutes the cornerstone of the understanding of the application of the current use in the art industry. References Dym, C.L., Little, P., Orwin, E.J., Spjut, R.E., 2004. Engineering design: a project-based introduction. Wiley New York. Goggin, G., 2012. Cell phone culture: Mobile technology in everyday life. Routledge. Hardison, O.B., Hardison, O.B., Hardison, O.B., 1989. Disappearing through the skylight: Culture and technology in the twentieth century. Viking New York. Murphie, A., Potts, J., 2003. Culture and technology. Rosenau, P.M., 1991. Post-modernism and the social sciences: Insights, inroads, and intrusions. Princeton University Press. Straubhaar, J., LaRose, R., Davenport, L., 2013. Media now: Understanding media, culture, and technology. Cengage Learning. Read More