This research aims to evaluate and describe the video of the piano concert. The researcher of this essay aims to pay special attention to pianist Yundi Li. According to the researcher Yundi Li is actually a very mature and talented artist…
The paper tells that Yundi has a very fantastic interpretation and recreation of the Scherzi. This may be the first time that the ‘chopin humour’ is heard in any of these pieces. Yundi is also keen on giving the much needed emphasis to the left-hand, where one only wonders, isn’t it just amazing that someone can actually play in this way? Then in comes the Liszt Sonata. The Liszt Sonata is among the best recordings ever. Yundi gives it justice with his amazing skill and passion. It is now evident that Yundi is not just any other virtuoso. Yundi is impressed by the amazing and shattering way especially on the emotional part of the piece, at that point where Liszt struggled with his other side character. Yundi’s mastery of every subtle nuance for each lyrical part of these pieces in music is just amazing as it is not often heard from other artists. There are also smooth transitions from one theme to the other, and the audience is seen to be obviously moved and is in sync with the performance, where you get yourself asking, is there going be Liszt’B Minor Sonata better than this? Yundi is seen to be one of very deep feeling as he plays, as it is not always, that’s one will find a pianist gets immersed very deeply in the music during their performance. We can say that music flows out of his fingers and in a very natural way which results in such a very deep feeling. As a gifted young artist, Yundi Li, uniquely distinguished from most his contemporaries by his ability to put a personal stamp on each work, and putting eccentricity to very fine detail. He is an inspirational artist that is keen on delivering performances of equal and standard quality, outlining different circumstances. Skill is portrayed in the first Scherzo as he plays with controlled wild abandon that matches its temperament. There are very slim chances of none of hearing another performance which so clearly risks everything for the inspiration of a moment. The same can be seen from the three Scherzi that follow. He plays with the equal heroism of the second and is balanced more by the brooding character seen in the third, and the fourth which is slightly lighter. The Liszt Sonata which is mighty and greatly difficult to control is brought to its knees as Yundi plays it with such amazing virtuosity, which he combines with such breathtaking sensitivity. The Liszt seems to break under its great length and its varying mood swings, which later starts to grow in its stature as it goes on. It is not surprising that by now the audience grows ecstatic as it responds to the now built unforgettable event. One ...
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