Rhapsody in Blue is a 1924 symphonic jazz that was composed by Paul Whiteman’s jazz band which previously premiered at Aeolian Hall, it is better known in the form of orchestrated for full orchestra that is symphonic; most of the versions that Ferde Grofe orchestrated featured in several commercials and films. Another classical work is the Short Story that was released in 1925 for both piano and violin, there was an arrangement of other short pieces that was previously intended to be included in the Three Preludes and was featured by Dushkin (Adam). Porgy and Bess is a folk opera that was released in 1935 and it was composed from the book written by DuBose Heyward, the opera is about African American life which is now considered the work of an American theater. The opera premiered and the Boston colonial Theater where Alexander Smallens conducted the opera. Porgy and Bess contains aria known as Summertime and other additional hits such as I Got Plenty o’ Nuttin as well as It Aint Necessary So; the folk opera has frequently been heard in concert halls and it is relatively popular (Adam). Concerto in F is a 1925 classical that has three movements for both the orchestra and piano, it premiered in the Carnegie hall and it was conducted by Walter Damrosh. There is a musical tone poem that was released in 1928 by the name an American in Paris, the poem had jazz rudiments and with an accurate Parisian sound effects; this classical premiered in the Carnegie hall and was also conducted by Walter Damrosch (Adam). Dream sequence is a five minutes orchestra and chorus interlude that was released in 1931 and its was meant to portray the mind reeling into dream state, it is also referred too as The Melting Pot and it is a different music as compared to Rhapsody in Rivets sequence that later expanded to Second Rhapsody; there are other musical sequences that went unused and were created by Gershwin to be used in the film Delicious. Second Rhpsody was created in 1931 to be used for piano orchestra and it was based on the score for musical sequence from the film delicious; this classical premiered at the Boston Symphony Hall and was conducted by Serge Koussevitky. Cuban Overture is an original Rhumba that was created in 1932 as a tone poem that featured native Cuban dance and folk music, native instrumental were used and the rhumba premiered at Lewisohn Stadium and it was conducted by Gershwin. Variations on I Got Rhythm that Gershwin created in 1934 has a set of interesting variation in the famous song, both for orchestra and piano, the classical premiered at Boston Symphony Hall and it was conducted by Charles Previn (Adam). Rodgers and Hammerstein songs have rich and provoking, soaring emotion and were written with words and music for almost all production, in the collaboration, they were integral components that elevated the entire story from a good to wonderful play. One of the plays done with words is Carousel and looking at the opening soliloquy, the meaning of Billy Bigelow and Julie Jordan have their filtration and entire story line carried along an amazing song. The stepping forward of Rogers and Hart came when they scored the 1925 charity show by the name The Gabrick Gaities that made known the classic valentines into their hometown. There were an amazing array of music that was written from 1920 to 1930 by Rodgers and Hart, most of them were musical comedies for both Broadway and West End London (Adam 1126). The regular number of shows that were written by the pinnacle in a year was four shows that include the Girl friend, A Connecticut Yankee, Chee Chee, Betsy and Peggy-Ann, and Dearest Enemy. Rodgers and Hamm
Rhapsody in Blue is a 1924 symphonic jazz, was composed by Paul Whiteman’s jazz band which previously premiered at Aeolian Hall, it is better known in the form of orchestrated for full orchestra;…
The History of Jamaican Music in the 20th Century and its Influence on 20th Century Music in the West. Jamaican music is defined by the emergence of a nation that was under a political construction during the 20th century where folk songs and historic influences from both English and African heritages.
Aside from its artistic value, paintings, sculptures, music, and alike are used by artists as a medium of expression to describe the events, issues, as well as existing societal trends that characterize the particular periods in the history.
But by the Romantic period, improvisation had almost become a lost art. Although organists and opera singers continued to learn how to improvise, for most instrumentalists the art of spontaneous improvisation survived only in the solo cadenza.
Ethical principles and cultural values that informed the development of Western civilization are deeply rooted in its classical origins and, therefore, in its heavy reliance on the rationalist school of thought.
As time progressed other philosophical views entered into society as well, some of the main ones being focused on romantic realism or otherwise “the return to nature” through Rousseau’s philosophy. There were an extensive number of philosophical thoughts, and even Darwin had a profound place in them and these time periods.
In my opinion, the five of the most notable artists who helped shape the 20th century include Pablo Picasso, The Beatles, Marlon Brando, Le Corbusier and Coco Chanel.
It was the liberating influence of Pablo Picasso’s artwork that came to be the basis why he
composition and redefined traditional instrumentation, melodic expression and the structure of music composition, and thereby breaking away from the musical traditions of the past, as shall be seen forthwith.
Gillion points out that Stravinsky made several breaks from the
This paper analyzes modernism and postmodernism through the phenomenon of music about music. The essay gives a review on the observation by Alex Ross that “Music about music has always been part of the 20th discourse”, considering that there is a high percentage of western music that was drawing content from other non-western music.
Music during the classical period was mainly associated with homophonic texture or a clear melody that consisted of an accompaniment, with these new melodies appearing voice-like that enabled composers to replace the singers as the center of the music.
3 pages (750 words)Essay
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