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Sussmayr’s and Maunder’s Editions of Mozart’s Requiem.
Pages 12 (3012 words)
Wolfgang Amadeus Mozart worked as a professional and composed several musical genera’s largely for income. It is also reported that he never enjoyed a long term employment in contrast to other composers of his era. He had a short lived life and died in the age of 36 years in 1791 in Vienna…
It is reported that Mozart’s Requiem mass was assigned by Count Walsegg to Mozart in the memory of his wife in early 1791. Mozart started his work on this classical work in the fall of 1791, during this work he suffered from fever and died without completing his requiem (Levin et al., 2008). According to Grout, Burkholder and Palisca (2005), the requiem Aeternam, figured bass, choral, and several essential instrumental components of first 8 measures of Lacrimosa; Domine Jesu Christ as well as Hostias were at the initial stages. It was Franz Xaver Sussmayr, who was working with Mozart at that time, who completed the incomplete Mozart’s Requiem. From definition, a requiem refers to the mass for the dead as the first line of the introit says, “Eternal rest grant them, O Lord” (Mozart, 1998).
There are different editions of Mozart’s Requiem and all are dissimilar from each other. There is controversy on the script and structure of different editions. However, it is very evident that it was written in 1791 in ‘Requiem in D minor, K. 626’ by Mozart and was the last as well as best recognized and the most impressive composition of his life (Harrison, 1997). Its music was a classical addition to western music and its complicated compositional history. The recent studies reveal that the aeternam was also added with some orchestral bars by another composer. Kyrie and Dies Irae to Confutatis were in the form of vocal parts at the death of Mozart. ...
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