A number of scholars propose the idea that African-American culture and music were effective expression forms and social inclusion means. Although they originate from the folk music of the African-American slaves, “the root cause of transnational black identity” (Gilroy The Black Atlantic 1992, p.60), it served as an effective instrument for cultural and social inclusion throughout the 20th century. The introduction of blues, jazz and other black music genres provided blacks a strong impact over American culture and a distinguishing place in a society that was fundamentally closed to black people well into the 20th century (Chiriguayo 2002), (Dwight 1995). In the study The Spirituals and the Blues the African-American scholar James H. Cone (1991, p. 130) argued that “whatever form black music takes, it is always an expression of black life in America and what the people must do to survive with a measure of dignity in a society which seems bent on destroying their right to be human beings”.
The book Blues People is the first real try to place major black music genres as blues and jazz within the setting of Afro-American social history, it illuminates the impact of blacks on American history and culture. Terry Jones (2005) asserts that the blues is a musical opera about life and times of Black America. The blues is the story of Black America in worldly musical form. However, Harrison (1997, p. 18) insisted that “blues was always a multi-racial music....
The Wikipedia encyclopedia, defines that the term exploitation may carry two distinct meanings: (1) the act of utilizing something for any purpose. In this case, exploit is a synonym for use; (2) the act of utilizing something in an unjust or cruel manner for one's own advantage. Most often, the word exploitation is used to refer to economic exploitation - the act of using another person's labor without offering them an adequate compensation. The Marxist theory is primarily concerned with the exploitation of a whole segment or class of society by another. From this point of view the black music is exploited by whites.
Article of Phil Rubio 'Crossover Dreams' (1993) provides a curious vision of the confrontation between black art forms and white performers. In many cases white musicians are motivated by envy or admiration for the emulated black performers. And we see the utilization of African-American culture by whites to find the spirit and humanity, they feel they've lost.
It is known that the end of a constant source of interchange and friction should not be seen as the start as 'whites have been playing black music for decades' (Davis 1995, p.84). We are not to locate the first white blues performer. The phenomenon of numerous white musicians taking up the black music is a fairly modern spectacle, beginning in the late 1950s and the early 1960s. One of the first objections to this phenomenon was made by Charles Radcliffe in the UK publication Anarchy (1965). Of course, many people did not consider singing in a black vocal style to be part of blues performance, moreover many feel that whites who have uneasy destiny, for example Hank Williams, sing in their own suffering manner, a distinctively non-black style. We can agree that ...
Cite this document
(“Popular Music Since The 1950s As The Exploitation Of Black Music By Essay”, n.d.)
Retrieved from https://studentshare.net/music/285179-popular-music-since-the-1950s-as-the-exploitation-of-black-music-by-white-artists-and-corporations
(Popular Music Since The 1950s As The Exploitation Of Black Music By Essay)
“Popular Music Since The 1950s As The Exploitation Of Black Music By Essay”, n.d. https://studentshare.net/music/285179-popular-music-since-the-1950s-as-the-exploitation-of-black-music-by-white-artists-and-corporations.
Listeners have used music to forge and express their sense identity in various ways. These ways are also contradictory. First, listeners have used music for escapism. Escapism is when a person or a group of people divert their minds from the daily life realities by means of entertainment or recreation.
To enumerate them all would be very much mind numbing and troublesome. So what is contemporary popular music really To be analyzed word for word; contemporary means being related to the same time, or the current or being in style.
At the same time whether its grunge rock, or Rap music both have emerged as a reaction to the system. The musicians seethe with anger, remember their frustrating lives before they had a break through and so on. Despite their frustrating pasts which manifest themselves in their lyrics most of these bands have lived a commercial success through their bands and have entered the well known world of fame and fortune.
One essential development that immensely contributed to the international popularity of J-Pop is the alleviation of the Japanese music industry from being an ignored local phenomenon to being a big influence that has a decisive say in the Japanese and international pop culture.
style, they have sold more than 30 million albums in the United States, and more than 85 million records worldwide, making them the most successful punk band of all time (Welti, 2005).2 They have produced a total of eight studio albums to date with their concept album, entitled
Music has always been part and parcel of our everyday lives which enables us to give meaning and expressions to our thoughts, ideas, feelings and emotions. Different kinds of music appeal to different people depending on their tastes which are very much based on the culture and background from which they come.
This is particularly true because there are a number of artists whose lyrics can easily be predicted. Another notable thing about the lyrics in modern popular music is the poor choice of words. Some of the words used by the modern artist are so
1 symphonies, most of the chamber music songs, eighteen sonatas for piano, twenty-three operas, thirty-six for violin, church sonatas, for Cello, organ pieces, eighteen masses, four horn concerti and many more others. He is also regarded as the melody and lyrical quality
Although different artists specialize in different genres, music still remains an influential tool in the society. Musicians have been relying on it to entertain their audience and express their social, political and economic
7 Pages(1750 words)Essay
GOT A TRICKY QUESTION? RECEIVE AN ANSWER FROM STUDENTS LIKE YOU!
Let us find you another Essay on topic Popular Music Since The 1950s As The Exploitation Of Black Music By White Artists And Corporations for FREE!