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Music History

The works Conges and Jeu de la Feuilles are considered to have been written between 1276-1277, which have references to him leaving Arras to go to Paris where he would have resumed his education that had been interrupted by his marriage. Because of the dedications in his chansons, it is likely that he was under the patronage of the wealthy bourgeoisie and members of the aristocracy. Although his poetry is indicative of possible aspects of his life, it is impossible to distinguish what is art, what is fiction, and which of the different aspects reflect his life ad which reflect that of his patrons. He died in 1288 and it is estimated that he was in his late forties or early fifties at this time (Marshall and de la Halle). Le Jeu de Robin et Marion According to Dane, “Le Jeu de Robin et Marion is among the first secular vernacular dramas. It is in part a dramatization of the medieval lyric pastourelle (a quasi-dramatic lyric type involving an encounter between a knight and peasant)” (49). The piece was written in French and represents the social opposition in which the story of Robin Hood is most often thematically written. The presentation of the play is only available through hypotheticals, a given representation not having been passed down in history, although it is considered the historic example of the beginnings of the comic opera. The music is highly rhythmic and representative of medieval troubadour music. Fi maris The chanson is courtly music that is “about love, rather than love songs in any Romantic sense” (Marshall and de la Halle 3). The trouvere was more a commentator on love, than a translator of his own experience, even though the music was presented from first person positioning. According to Marshall and del Halle, “The courtly poet, in the guise of reflections on his own experience made in the first person singular, was representing himself as an exemplum of some aspect of fine amour itself. He did not, like a Romantic poet, reach out for the universal from a basis of personal experience” (Marshall and de la Halle 4). Fi Maris is written to express a witty look at infidelity and is written in French. Its monophonic tone and rhythmic background with harmonic vocals supply the form of the piece. Je muir, je muir d’amourete Je muir, je muir d’amourete is a rondeau, meaning that it had a rigid structure in which the verse and the refrain are repeated, from which the poetic rhythm scheme can be translated as AbaAabAB. Formed from the monophonic traditions, this piece is a gentle and sentimental work that has a beautiful introduction. The repetition sets up a sense of the emotions of the work. It is in French, with a gentleness that brings forward a meaning that is beyond the lyrical translation. Works Cited Dane, Joseph A. Abstractions of Evidence in the Study of Manuscripts and Early Printed Books. Farnham, England: Ashgate Pub, 2009. Print. Fi Maris. 24 September 2010. Lumina Vocal Ensemble. 11 June 2011. Je muir, je muir d’amourete. 26 July 2010. Quellidelgiardino. 11 June 2011. Le Jeu de Robin et Marion. 17 May 2010. Cowboybepopp444. 11 June 2011. &feature=related Marshall, John H. and Adam de la Halle. The Chansons of Adam de la Halle. Manchester: Manchester University Press, 1971. Print. Claudio Monteverdi Claudio Monteverdi was born in 1567 and died in 1643 and was a composer, singer, and musician playing the viola da gambe. His work can be considered for its transitional position between the Renaissance ...Show more


Adam de la Halle Adam de la Halle is a thirteenth century composer who spent a good part of his life in Arras and is known as one of the last true trouveres. He was also known as Adam la Bossu and Adam d’Arras. …
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