In this paper the writer will attempt to give some details about music in silent movie period and in particular what role the jazz had played as part of the silent motion picture. Furthermore, he will give try to illustrate the jazz music used by Chaplin for his films…
The difficulty of studying the nature of the music for motion pictures derives from the complexity of the medium. Films usually operate through "a conjunction of visual and auditory signals, research into film music requires an understanding of not one but two non-verbal systems of communication, as well as the problematical jargons with which we attempt to describe each of them in speech (Marks, 1997, p. 3)". Currently, few scholars have mastered the field of such specialized studies as music in silent movies. Thus, I have to address that this paper has limitation based on the narrow specialization of the topic. The subject of film music is neglected by researchers, because it spans between two disciplines and its material presents many problems (Marks, 1997). Unlike concert music, film music exists only as an accompaniment to the film and is not included into a repertoire. Especially in music for silent movies, the primary material that has to be researched is not the music, but the film itself. Consequently, the film music in silent movies has to be studies together with a profound observation of the movie. Music in this sense is in the core of the research and the movie plot stays in the periphery (Marks, 1997). "As we view a film, our minds must contend with the ever-changing content of the moving image and the soundtrack. The individual elements (not just music, but also lighting, camera work, editing, and so forth) are submerged into the flow of images on the screen. Hence the engrossed audience rarely perceives these elements consciously; it is simply carried along by the stream of sights and sounds (Marks, 1997, p.4)."
Marks (1997) points out that most of our "information about music and silent cinema dates from after 1910; earlier than that, documents are lacking and extant scores are few (p. 26)." Altman (1998) observes that in the early periods of silent film musical accompaniment was not standard practice. He explains that the US film industry began to introduce normative musical score as accompaniment between 1908 and 1912. Altman (1998) also notes that developing the musical accompaniment was a significant part of the cinematic transformation that was taking part at that time. Efforts were made to stimulate the use of film music and to supervise its quality. Much more attention should be paid on the impact of geography into music. The urbanized east coast versus the less populated western states, the neighborhood trends versus the downtown surroundings have influenced the sound in the silent movies (Altman, 1998). Ethnicity and race and the emergence of African folklore traditions, ragtime and jazz on the musical accompaniment also placed a cornerstone in silent movies music.
After the World War I and the disastrous flu epidemic in the 1918, the 1920s can be characterized as one of the most prosperous years in America. The 1920s are also called "The Roaring Twenties" or "The Jazz Age" (Blundell, n.d). After the World War I, a lot of African Americans who were living in the South, started to move North. Northern America was more industrialized and provided more employment opportunities. Thus, African Americans hoped they could make a better living. 1920s was the time when ...
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“Film Music Essay Example | Topics and Well Written Essays - 2500 Words”, n.d. https://studentshare.net/music/301428-film-music.
And a great comic book hero he was. Then in 1978, the comic book came to life via Hollywood movie magic. As with all movies, the theme song of the film evokes the overall feel and sentiment of the movie and in the case of Superman (the movie), John Williams evoked more than just sentiments, he created a masterpiece of an overture and a dramatic opening billboard credits that until today is considered bar none.
?????? '' which means “The art of the Muses”. “Muses” were the Greek goddesses who create the inspiration of literature and arts in the ancient culture with poetic lyrics and myths. In theory, to create music or maybe it would be more accurate to say to create sound, some special things such as notes, tempo, rhythm, scales, chords, harmony, melody and especially instruments to take out the sound are needed.
Most film noir has always been defined by their visual and even narrative aspects states Robert Miklitsch. The long weekend film recounts an alcoholics’ life who was also a New York writer going by the name Don Birnam. The film depicts how desperate Don is to get alcohol. The other film is going to look at is the Spellbound.
Essay 1: Discuss the relationship between the live and the recorded, or the original and the copy, as they are exhibited or explored in a work of performance, film, music or visual art. Several theories have examined and evaluated the relation or difference between the mediatised or recorded and live performance.
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The soap operas run for two hours on at least two weeknights every week across the different channels. Most soap operas run for approximately three months and are always followed by yet another similar show. The story lines behind the shows reflect a sense of homogeneity and to a great extent, reveal what sells in Thai popular culture.
The conclusion from this study states that to listen to the score of a film is to appreciate fully exactly what the filmmakers were trying to point out to us. The acting and directing and the writing is the element that primarily we remember, however, subconsciously we remember more than we give ourselves credit for.
The long weekend film recounts an alcoholics’ life who was also a New York writer going by the name Don Birnam (Breiktkopf & Härtel 58). The film depicts how desperate Don is to get alcohol. The other film am going to look at is the Spellbound. This
The approach is used to produce character’s psychological insights, reinforce dramatic action and to suggest extra musical ideas to the listeners. The extra musical ideas suggested are usually relevant to the dramatic event presented (Citron, 2010). The
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