This paper discusses the development of American film music with special attention to the late epic scores of Titanic, The Extraterrestrial and Planet of the Apes in a concise and comprehensive way using the sources mentioned in the list of references…
This research will begin with the statement that during the first half of the twentieth century, the American cinema was born in the laboratories, and grows as a means of expression and serves as a means to entertain the masses. American people thanks to three factors: The scientist, artist, and businessman. Each of these factors contributed to their configuration, stating his physiognomy and strengthens its power. It became one of the largest industries within the short span of time. In a new art, emerging from science and traditional arts, it became a powerful social factor. From 1896 to 1903 saw the genesis of the film, and successfully fulfilled its three objectives, the juicy field of business, a technique peculiar and a large audience. Littman discusses that the first civic screening of a film in the United States occurred in 1896 in New York. The projector had been developed by the inventor Thomas Alva Edison, whose company was also the producer of the shorts. The paternity of the American fiction film is often attributed to Edwin S. Porter, who in 1903 used an innovative technique of montage in the film 8 minutes Assault and robbery of a train by which different fragments from different shots of the same film come together to form a whole narrative. David Wark Griffith, a disciple of Porter developed using the principles of this panoramic shots and close-ups, as well as parallel assemblies as a means of expression to maintain dramatic tension, which became the most important pioneer of silent movies in States United....
The Birth of Hollywood
Between 1915 and 1920, the film industry was gradually shifted from the East Coast to Hollywood, where new studies emerged. Film production has become an important economic sector and imposed their dominance beyond the country's borders. At that time came the major genres: the western, detective films, adventure, science fiction and terror, who lived a time of splendour with directors like Cecil B. De Mille, John Ford, Frank Capra, William Wyler and King Vidor, like most serious works by Ernst Lubitsch and Erich von Stroheim-two directors considered the best time - or documentaries by Robert Flaherty. A peculiarity of the American film was the slapstick, a gender-based persecution disparate comedy and gags or comic situations. The person responsible for the emergence of this kind in 1912 was Senett Mack, whose school was, formed Charlie Chaplin, author of The Gold Rush (1925). Other important representatives of slapstick were Buster Keaton (The driver of the overall 1927), Harold Lloyd (The student beginner 1925) and the duo formed by Stan Laurel and Oliver Hardy (From soup to nuts, 1928).
The Sound Films
With the introduction of talkies in the late 1920 emerged film genres: the screens began to be dominated by musicals (with many dance movies, particularly Busby Berkeley) and films by gangsters, who tried two other themes Today: the Great Depression and the Law Seca (e.g. golden Hemp, Mervyn Le Roy in 1930, or Scarface, the terror of hemp, Howard Hawks, 1932) (Grimes, 2005, pp. 15-22).
The Decades Of 1940 1950
In 1941, the premiere of Citizen Kane, Orson Welles, marked a turning point for American cinema. Welles abandoned the chronological narrative and created a work of art that shook the cinematic ...
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The power of music is evident the response of the audience through tapping, clapping and singing along with the music. The application of music and sound in movies facilitates the use of the various approaches in dealing with the emotions and response of the audience.
The study of the evolution of the films through the course of history in terms of sounds can present important lessons in film making. This can be considered as one of the reasons filmmakers, actors, directors and other people in the film industry gave great importance to the leaders of the silent film era due to the fact that they were able to convey the messages of the films in the absence of music and sound.
Movies have allowed artists and musicians to create an abundant and rich variety of music. Yet, most of the researches done in this direction include music scores written in the era of talking movies. Very poor knowledge of what film music was like in the silent movies was conducted.
The main problem is that audio and visual can be harmonious or completely in opposition, with the visual and sonic working together or against each other, which sets up a totally different reaction in the audience. As the use of music with film evolved, it has become a fine art which is most evident in its use with advertising.
Movies have allowed artists and musicians to create an abundant and rich variety of music. Yet, most of the researches done in this direction include music scores written in the era of talking movies. Very poor knowledge of what film music was like in the silent movies was
ed a lot of problems and start and this paper will take a look at the time line of the events that have made a long lasting impact on the Canadian film industry and feature film design started to take prevalence when people were amused of the flickering images and mobile show
The conflicts appear natural and realistic, as the two brothers have to overcome the conflict that arises from the difference in their personalities and the conflicts that arise from their interaction with the society.
The plot of
The film features the large portfolio of cultures and cultural endeavors that feature in the movie. The manner in which the film gets designed and developed is very amusing. For instance, the characterization features together with the proper
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