Upon my first two listens of the Japanese song Tsuru no sugomori (Nesting Crane), I found the song to be slightly therapeutic, while at the same time a bit irritating. I could make out the sound of a flute, and a stringed instrument. The flute at times seemed subtle then grew to be slightly annoying, as it raised in pitch. The stringed instrument tended to maintain a subtle pitch throughout the song, but it would occasionally increase in frequency. Being I can only judge from a western perspective, the song as a whole initially reminded me of what little I know about Eastern culture. I have a very extensive history listening to music. I’m a fan of multiple contemporary genres, such as Indie, Hip-Hop, Jazz (New wave down tempo and classic), classic rock etc… I even played in a high school orchestra, in which I gained an understanding of multiple instruments. This experience has enhanced my appreciation of music. This must be taken into consideration when assessing my evaluation of the music. My initial reaction to the piece was one that embodies what I know of ancient Japanese or samurai culture. It specifically reminded me of the 1969 Japanese film Double Suicide in which the two main characters commit the sacred act of Shinju (double suicide) to profess their love to one another.
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This essay opens us a spiritual appreciation of Japanese music and culture, reviewing the song Tsuru no sugomori, which is a masterpiece of the times…
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