Every author who have studied this work have noticed the rpesence of a number of leitmotifs which are short, melodious and harmonic in general through which the work gains its expressiveness and dramatic form. (Richard Wagner website, http://www.trell.org/wagner/motifs.html). Though Wagner had never used the word leitmotif, his critics had been somewhat paranoid in attributing a number of leitmotifs distributed in the entire stretch of this work. Wagner had called them ‘melodic moments’ and described them as created “ by the orchestra into a kind of guides-to-feeling through the whole labyrinthine building of the drama” (Richard Wagner website, http://www.trell.org/wagner/motifs.html). He (Richard Wagner website, http://www.trell.org/wagner/motifs.html) also has added that, “at their(melodious moments) hand, we become the fellow-knowers of the proufoundest secret of the poet’s aim, the immediate partners of its realisement.” Apart from “communicating the emotional nuances”, leitmotifs in Die Walkure are also perceived by critics as “the building blocks of a symphonic composition” (Richard Wagner website, http://www.trell.org/wagner/motifs.html). ...
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