This essay describes concepts help us examine punk music and the cultural movement that accompanied it. Throughout his illustrious career, Hall researched extensively on a number of socio – humanitarian issues, including cultural identity and representation…
Punk is a subculture movement that emerged in the 1970s and the 1980s by the appearance of punk bands such as The Sex Pistols, The Ramones and The Talking Heads. Before analyzing punk culture it is important that we define the concepts of cultural identity and representation so that we are able to use them coherently in our understanding of a brand of music that has been so often misunderstood. Cultural identity is referred to as self-definition with reference to a knowledge tradition or a set of ideas and practices that are shared or widely prevalent in a delineated population. When comparing cultural identity and collective identity, the construct of cultural identity may not conform to that of collective identity. In some instances, Kitayama and Cohen (2007) observe, both cultural and collective identity can represent the same thing; cultural can be regarded as a group when a particular knowledge tradition is completely shared in the designated group. However, even the most widely distributed culture is rarely followed completely by all members of the designated group. Even though cultural identity and collective identity may fail to equate, there is a strong line between cultural identification and collective identification. The degree of identification is associated with how much the individual relates himself to his or her identity. People who relate themselves strongly to a knowledge tradition or culture regard this cultural identity to be an integral component of their self-definition. ...
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Why is language a cultural resource? Language is a cultural resource because it is one of the mechanisms by which cultural and social relationships are represented. This is best understood from the perspective that explains how language is a cultural process pivotal in social interaction.
The authors examine how different issues are represented differently, in the construction of a crisis and the impact this has on the understanding of the crisis. Accordingly, the authors explain that the construction of a crisis is dependent of two factors, including the reality of the event, and how the event is presented to the society.
She argues that representation does work to construct identities and identities are usually marked through symbols. The construction of identity is both symbolical and social. For example, Woodward argues that more often, the construction of national identity is gendered; however, identity is often marked by differences (Woodward, 1997:10).
At this point the following issue appears: is ethnicity a key element of modern social, political and economic life or it is just a social characteristic of minor importance, the power of which is limited under the pressures of various social, political and economic interests?
Similarly, television is equally of significant influence on the construction of identity among both children and adults alike. For instance, there are numerous complaints raised relating to the depiction of thin model within TV programmes on fashion that clearly stimulate young women to desire to be thin as the fashion model they view on the TV.
The relationship between science and social theory as well as public communication and common sense knowledge shows how public understanding of beliefs could pertain to economics, sociology, politics, science, health and history. In this discussion I will also examine whether social representations theory has an epistemic advantage over other social theories and what are the limitations to social representation.
In the representation or construction of gender in the play Macbeth, Shakespeare was greatly influenced by the Elizabethan culture, and both the characters and plot of the play illustrate the immensity of this influence. A careful reader recognises that the attitudes, values and beliefs of Shakespeare shaped by the influence of the Elizabethan culture are reflected in the various characters and the plot of the tragedy.