The present study “Musical Theatres” focuses on the musical theatres “Oklahoma” and “Rent”. The first factor that made musical theatre leap from “Oklahoma” to “Rent” is attributed to the uniqueness of the performances in theatres…
The first factor that made musical theater leap from “Oklahoma” to “Rent” is attributed to the uniqueness of the performances in theaters. (Everett & Laired, 2009). Theaters became revolutionized in that performances included singing, acting and dancing. The actions of; singing, acting and dancing instilled new life in the theaters, and eradicated the old fashion theaters, which only involved acting. In essence, the musical, “Oh what a beautiful morning” portrayed both aspects of signing and acting. The theme of the musical contained lyrics, which inspired a great number of people, and this made the musical very appealing (Everett & Laired, 2009). The second factor that made musical theaters leap from “Oklahoma” to “Rent” is related to the society. The musical “I will” by Jonathan Larson is performed by individuals from impoverished societies faced with negative issues such as poverty and AIDS. Through this, the theater became appealing since many individuals found relevance while in the theaters. Individuals in American societies and around the world, mostly the youths, found themselves on the negative side. Musicals such as “Oh what a beautiful morning” flourished as it touched a great number of individuals. The inspiring nature of the two musicals “Oh what a beautiful morning” and “I will” added with the drama and music definitely appeals (Everett & Laired, 2009). ...
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He was born as Paul Leroy Robeson on April 9 1898 in Princeton, New Jersey. His father, William Drew Robeson, a descendant of the Igbo group of people of West Africa, was an escape slave. The older Robeson was a serviceman in the Union Army, a graduate of Lincoln University and later, a Christian church minister.
Gunning defines the term cinema of attraction as a cinema that exhibits its visibility with great willingness to shatter a self-enclosed fictional world for an opportunity to implore the attention of the spectator. This means that a film is not entirely meant for entertainment but to present something exclusive and unique to the spectators.
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