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A Survivor of Warsaw - Essay Example

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Summary
The paper "A Survivor of Warsaw" discusses that Schoenberg was able to craft a piece that related a social commentary regarding the utter depravity of mankind and the violence and horror that it wrought as a result of the holocaust and the Second World War…
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A Survivor of Warsaw
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Extract of sample "A Survivor of Warsaw"

The second half was a time filled with great political turmoil, war, and competing ideologies. The fundamental fabric of society was being questioned as the beat generation began to push the norms of society and further delineate the new era with new behavioral norms. Additionally, the threat of mutually assured destruction during the Cold War was a very real and present point of concern for all those who lived through the times and had to daily face the reality of air raid drills and daily news bulletins.

Classical music composers were faced with all of the aforementioned issues and in addition to that were given new tools with which to accentuate their music. The birth of the synthesizer and the use of computers in musical compositions were both immediately co-opted into music as composers and musicians alike attempted to delineate their music through their use. Likewise, greater and more prolific use of atonality, dissonance, and minimalism were employed to a greater and greater extent. Arnold Schoenberg, a composer whose career spanned both the 20th century and contemporary periods, will be analyzed in this brief study. Schoenberg’s characteristically atonal, experimental, and minimalist styles can be amply heard in A Survivor of Warsaw Op. 46 1947.

The piece is symbolic of Schoenberg’s unique style, the elements of the contemporary period, as well as the socio-political disturbances that gave rise to so much of the next-filled music of the era. Firstly and most prominently, the piece features Schoenberg’s full and extravagant use of atonality and dissonance which had become such a characteristic of the prior 20th century; however, in addition, Schoenberg fully employed the 12-tone technique (also known as dodecaphony) for which he became renowned.

This piece critiques modern society in that the atonality, the purposeful confusion, and the minimalism all work towards describing the sheer and utter depravity of humankind without taking away from the story by an overly ornate or complex musical tone. Simply stated, where other pieces may have lost some meaning by purposely simplifying them to their most basic elements, this piece gains power through the application of such a technique. The story is related in a way such that the horror is directly manifest to the listener in an unavoidable way. Read More
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