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Gender and Success: Big band and Dance Pop, Inception to Present Day
Pages 5 (1255 words)
[YOUR FULL NAME HERE] [YOUR PROF NAME HERE] [YOUR CLASS NAME HERE] 13 December 2011 Gender and Success: Big Band and Dance Pop, Inception to Present Day The role and portrayal of gender in American music has taken many forms and fashions. From the traditional to the outlandish, the acknowledged to the avant-garde, nowhere is this better illustrated than in the contrast of the genres of Big Band and Dance Pop…
Vocal groups such as The Boswell Sisters were able to make a decent living performing their signature arrangements in front of their big band style backup band. But while the ladies arrangement work was going mostly unnoticed, little did they know that all the while they sang in the spot light but arranged in obscurity, that they would be instrumental in laying the groundwork for an emerging genre of music that would become known as “swing” (Anyswinggoes.com, 2006). Men, on the other hand, had no limit to the accomplishments they could earn on the Big Band circuit. Big Band work was steady, and the demand for evening entertainment and danceable tunes was exceeding the supply of genuinely talented available performers by a fair margin. If you were reasonably talented and sufficiently motivated, there was almost no limit to the level of fame you could achieve as a man in the genre of Big Band. Most bandleaders doubled as the primary vocalist, and one by one they paraded and preened around the stages of America like peacocks; showing their feathers for all to see while making as much noise as possible in order to attract attention. ...
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