Mashup, remix, fandom, intertextuality, music simulacrum - Essay Example

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Mashup, remix, fandom, intertextuality, music simulacrum

Mashup is a music term that refers to skilful blending of two or more songs to achieve a new coherent composition, usually featuring various music genres. Another terms for a mashup are blend, bootleg, smashup, bastard pop, powermix, cutup and crossover. David J. Gunkel, Aram Sinnreich, Michele H. Jackson, Brian Lamb and Liam McGranaham are some of the authors who have written elaborate and scientific publications on the mashup culture. Although the term first appeared in the Oxford English Dictionary in 2000, the history of mashups is debatable. While the notion of a mashup as a 21st century novelty appears viable, the roots of a mashup can be traced to the early 20th century. The installation of Marcel Duchamp’s Bicycle Wheel in1913 where he combined a stool with a bicycle wheel was a physical symbol for mashup (Levay 22). A mashup is “a fun and adventurous way to make something fresh out of something stale” (Gaylor web). Music mashup characteristics are additionally attributed to musicque concrete, a form of music which evolved in the 1940s, where compositions were not limited to sounds from musical instruments (McLeod 81). ...Show more

Summary

We are going to review several main modern trends, some of them have developed into an autonomous genres. These are Mashup, Remix, Fan Culture, Intertextuality and Music Simulacrum…
Author : mschroeder
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