The piano comping is elaborate at this point. This solo is concluded by a three note lick.
Gillespie picks up by repeating the last note of Parker’s solo with the drums getting into a dialogue while the pianist continue to comp. Gillespie starts with a high note but slowly resigns. He initiates the bridge with a crackling double time before easing out of it. He ends the solo at a lower energy. The horns then combine in creating the head out. The song has a simple ending with the drums giving a two note key.
Parker solo has been the most powerful solo in this song. This is because the solo starts with moderate in-tempo and develops into more complicate intriguing ones. The cascade notes played on this solo are dramatic and cannot be ignored.
The performance is striking and continues to have an intriguing effect on the modern audience. This is despite the developments that have been done over the years in music. It is a piece of music that one would not mind to hear over and over again. It is a perfect illustration of how chord and melody be ...
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“Dizzy Gillespie & Charlie Parker: Hot House Essay - 1”, n.d. https://studentshare.net/music/569593-dizzy-gillespie-charlie-parker-hot-house.
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