Please boost your Plan to download papers
Schumann and Stravinsky - Research Paper Example
Author : madyson06
Pages 5 (1255 words)
Schumann was born on 8th of June, 1810, in a small town located at the border of the Czech Republic. While he was growing up he was surrounded by various books, this being mostly because his father was a successful bookseller and an author. …
In the 1830s he started writing piano miniatures which were extraordinary. Also it was during this time that he made his debut as a music critic and started his own journal, which became the focus of his efforts. In this journal he championed composers who had talent, and established a canon of Romantic music. It was also during these years that he composed his masterpieces; Carnaval, for piano and Dichterliebe. In 1840 he married Clara Wieck, a talented pianist inducing an element of stability in his life however this was also when his mental health started to deteriorate. His failure at opera, Genoveva, in 1843 caused him a great disappointment after which his mental state continued to deteriorate. After an attempt at suicide in 1854 he voluntarily entered an asylum. It was here that he passed away in 1856 (Worthen, 2007). In mid June 1882, Igor Fedorovich Stravinsky was born in a town near St. Petersburg in Russia. From a small age he was surrounded by music mostly because his father was a star singer of the Imperial Opera. When he was 9 he started piano lessons and studied music throughout his early life. In 1902 he, like Schumann, pursued a law degree however music was where his real interest was. Also just like Schumann, he started his musical career as a amateur pianist and was bilingual. Nikolay Rimsky-Korsakov, his teacher started giving him regular lesson from 1905 till 1908.
Although Stravinsky’s first composition was that of a Symphony, which he wrote in 1906, it was The Firebird, a ballet composed in 1910, which put him under the spotlight. This was followed by Petrushka, which like The Firebird was a modern composition of something which was fundamentally Russian. It was his third ballet, ...