The performance of Beethovens 7th Symphony took place in the Kansas City Kauffman Centre, which is a beautiful and modern new hall with amazing acoustics. The piece on which I will be writing lasted almost one hour. Also featured on the program was Rachmaninoff The Bells. The…
There was not any special reason why these pieces were played, as they were a part of the overall Kansas City Symphony lineup.
Rachmaninoff is a modern composer, and his music sounded modern. It sounded like the score of a movie through much of it. Beethoven was a composer that was between the Classical and Romantic eras in music. The mood of the Beethoven piece alternated between light-hearted and happy, and dark and angsty. The Rachmaninoff piece did the same, although much of it was light and springy. The pitch varied between soprano, alto and tenor throughout, and these changes in pitch went along with the changes in mood.
My general reaction to the concert was an almost visceral reaction. I appreciate music for how I hear it and how it moves me and makes me feel. In the case of Beethovens 7th Symphony, I have always loved the second movement. I love Beethoven, in general, for the drama and the passion that is in every piece that he does. Rachmaninoff is the same, although his piano concertos are always my favorite. The musicians did an excellent job, which is not surprising, as they are professional musicians. There was not a note out of place in either of these concerts. The musicians played rhythmically together, and they were all in sync with one another. The soloist singers performed excellently, with a lot of energy and passion. The energy level was right for every piece that was played. This means that in the forceful and the dramatic parts, the allegros, the musicians displayed high energy. During the adagio parts of the music, the musicians scaled back and played with less energy. They seemed very well-prepared and professional. In fact, I detected a certain Celtic flair to the piece, which surprised me. Then I discovered that Beethoven was heavily influenced not just by Celtic music, but also folk music of German and Austria, so this made sense (Travis, 255).
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Letter to Archduke Rudolph, August 1823
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