Haydn’s symphonies were composed and performed for a wide variety of audiences. In the View of Simon McVeigh, the musical master composed his music not only for the ruling class, but also for the common citizens. According to his publication, Concert Life in London from Mozart to Haydn, Simon reiterates that the symphony of Haydn and other composers of the time were meant for the ruling class like the Prince of Wales (Simon, 1997). In addition, the symphonies were composed and designed to appeal to young, unruly men who would disrupt concerts with commentating on the performances as artists performed. He also targeted young, single ladies looking for respectable suitors. Haydn composed most of his symphonies during his stay at Court Morzin (Piero & Richard, 1999). The compositions were meant to further his career as a freelance musician. He composed most of his symphonies, including Symphony no. 94 and Emperor Quartet in 1761 after he gained a reliable job as vice Kapellmeister in Esterhazy family among the wealthy Hungarian nobility.
Music in the Eighteenth Century by John Rice details the situations in which Haydn’s String Quartet movement might have been heard and played during Haydn’s days. According to John’s publication, all ranks of the society of the time were fond of music and most people perfectly understood the role and science of music. Although other lighter string and not-string quartets were enjoyed by more people, Haydn’s string quartet was cherished by aristocrats and the musicians themselves. Haydn’s String Quartet entertained people in small, private gatherings in taverns and ballroom carnival orchestras (John, 1989). The string quartet played a huge role in entertaining a small audience of Haydn’s music during Mozart’s concerts. In addition, a few music lovers spent their times in private apartments and palaces entertaining themselves with Haydn’s String Quartet. Furthermore, the Viennese music ...
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