The emergence of the neo-Nazi music in England took place in the year 1970s with the concert which was titled as ‘Rock against Racism’. Followed by this concert, the array of racists who were involved with the neo-Nazi skinheads was identified to be ‘Rock against Communism’ (RAC). The musical concert was intimately involved with the encouragement of the nationalist neo-Nazis, racists and socially unrest themes with the intention to continue succession and thus imbibe such beliefs within the young generation (Jewish Virtual Library, 2012). The concepts of the music culture which intentionally generated as a moral panic had been considered with the obligation of the neo-Nazi culture that is currently being pursued by the young population. This moral panic involved with its categorisation of races, social groups and communities by the feeling of anxiety and emotional energy concerning the perceived values and beliefs that was typically focused during the music concert (Shayovitz, 2011). Hence, as the prime focus on the neo-Nazi music culture has been observed to imbibe the beliefs amid the young generation, it becomes quite apparent that the cultural movement is likely to have a strong impact on the young population. It also because of the increasing preferences for modern music amid the young generation, that neo-Nazi music culture can have a long lasting impression over this population. Historical Movement The formulation of the Neo-Nazi music culture took place with the consideration of the Jewish holocaust, as one of the utmost crimes during the Second World War era which was carried out by Adolf Hitler with the commitment to set up the Nazi despotism. The catastrophe of the Jewish holocaust is considered as one of the foremost reasons for the occurrence of such ascension of neo-Nazis in Germany in the Second World War. There were many forces inside the foundation of the Neo-Nazis phenomenon; however, German humiliation and its anti-Semitism were some of the leading causes to the formation of the neo-Nazi music culture (Secure Online, 1996). Other than Germany, the roots of neo-Nazism beliefs can also be identified in other part of Europe, such as France, Austria and Greece among others being driven by almost a similar notion of Semitism (Cooter, 2005). In this context, the neo-Nazi music culture can be considered as widely different from other existing cultures as it mainly focuses on lyrics depicting emotions against a few communities like that of anarchists, communists, racists along with the people who are identified by their darker skin colour indicating a particular society or community to be superior of all. The emergence of the neo-Nazi movement took place in the late 1960s in Germany, along with the tremendous movement of ‘Right-wing’ against the social circumstances led by government dissatisfaction and financial crisis. On the other hand, the arrival of immigrants was one of the utmost reasons for expanding neo-Nazi music culture focused on the financial and cultural hazards, imperilled Western values and social consistency as well. The
The study of the paper will hereby be focused on analysing the movements of neo-Nazi music culture’s influences on the young generation through the music and art providing due consideration toward the historical movements recognising the good and the bad sides of the phenomenon…
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4 pages (1000 words)Assignment
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