The NYCB Theater is among the top music theaters in New York City. Being among the most famous venues for music festivals in the country, the NYCB Theater was in a good position to host the Smokey Robinson’s concert in New York. Firstly, the theater is more spacious than most music theaters in the US. This indicates that the NYCB Theater was the only theater capable of hosting an event of such a caliber as the Smokey concert. Smokey Robinson has many fans from within New York City and other major cities across the country. The attendance at the theater clearly demonstrated how Smokey Robinson is popular among his followers. The attendance of his show proved that R&B music is still popular among American despite previous claims that R&B song are losing ground to other music genres such as hip hop. This is due to the number R&B stars that are currently switching to hip-hop and rock music. Major R&B singers such as Whitney Houston have redone some of their songs in hip-hop in order to incorporate the preferences of the American society. The concert proved to me that R&B music still has many fans within the country. Musial theater performance is not like any other performance. I had previously come across this fact through my studies on theater and performances. Unlike other theater performances, musical theater performance can be described as a two-way performance. This indicates that a successful performance will depend on the effort of the performer and the audience. A musician performing on stage requires the response of the audience in order to achieve successful delivery. This response will include appraisal by the crowd and positive response of the audience. A performer will also prefer an audience that joins him or her in the performance. This will involve situations where a musician allows the audience to sing certain segment of his song or dance rhythmically to his song. I had learnt the theoretical concept on the importance of a responsive audience but I had not had a real life experience of such scenarios. The concert therefore presented me with an opportunity to verify the importance of a responsive audience to a performance. During the performance, I also had the opportunity to verify the effect that the audience have on the artist. Robinson opened the concert with his hit song Miracle that got the whole auditorium into shouts and screams of joy. Everyone who present in the theatre wanted to be next to Robinson as possible. If it was also possible, some people could have joined the superstar on the stage. However, the theater was so fully packed with fans and therefore, joining him on the stage was not possible. During this time, I discovered that Smokey is not only a songwriter and a performer, but also has a good background on crowd psychology. Similarly, he was well versed with the fact that the success of performer depends on the attitude of the audience. Smokey therefore utilized the first minutes of his performance trying to get the audience into the same tempo as his ensemble. The performer also utilized these crucial moments trying to make the audience anxious about his performance and the expectations of the show. His hit song “Miracle” compensated his expectations for the performance. During the performance, I realized that this song has many fans and, it is among his most famous song from his last album. After singing the first few lines of the song
Concert Report; Smokey Robinson Smokey Robinson’s concert that was held at the NYCB Theater was a significant event to me as fan of his music and a music student. Although my main objective of attending the concert was academic, I was greatly influenced by the love that I have for his music…
The concert by ‘The Stony Brook Symphony Orchestra’ took place at 8.PM sharp on Saturday, 9th March, 2013. The Concert Conductor was George Manahan . The program comprised of ‘Scherzo a la Russe’ (1945) by Igor Stravinsky (1882 -1971) a ‘Viola Concerto,’ Op.37 (1979) by Miklos Rozsa (1907 – 1995) and the Concerto Competition Winner for 2011 – 2012 – Chieh – Fan Yiu, Viola that took place before the intermission and this was followed by ‘Enigma’ Op, 36 (1899) by Edward Elgar (1892 – 1955) comprising of ‘Variations of an Original Theme for Orchestra.’
The concert also featured special appearances by Thin Lizzy with Scott and Damon replacing Gary Moore, one of my all time guitar favorites- and Black Label Society, of which I am not a fan. Sadly, all good things must come to an end and Judas Priest will be hanging up their
This paper presents a brief analysis of the song Milonga de angel along with a review of the concert as a whole.
The milonga precedes the tango music style. Most of the milongas are fast. They are conventionally lent a solid rhythmic character by
e Ossetian excitement of Valery Gergiev might well seem an unlikely combination, but this coupling of two range standards offers attractive, well-balanced readings striking for instrumental delicacy and orchestral feelings. Overall, the concert sounds very well due to
In this case, the compositions that are more than a century old provide an individual with a magnificence feeling since the compositions are a master class. One such composition is Anton Bruckner’s Symphony No. 2 that contains four
The first piece to be discussed is Vivaldi’s The Four Seasons for violin and orchestra, Opus 8, Nos. 1-4. In these four concertos, referred to Le Quattro stagioni, Vivaldi incorporates three different movements. The
The tickets for the concert were available at the Royce Hall web site, where each ticket was selling cheaply at $25 for students with identity cards. The event started at 7 PM as scheduled with director Jeffrey Kahane conducting two double concertos as a pianist
The performance space was small with a limited number of seats to be occupied by the guests. There was a small place provided for the composers with a projector in the middle of stage. A seat was provided for the piano
ming soar but since she participated and won the second place in the Chinese reality singing competition I AM A SINGER by Gloria Tang Tsz-kei, we were still surprised that her debut and rhythmic concert still sold out very quickly, she had to add a second and third show to
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