The researcher of this essay aims to explore the music about music in the discourse of modernism and postmodernism. The tradition of music about music became popular in the 20th century, with many musicians developing music that commented on other music. …
The essay "Music about Music as Part of Twentieth-Century Discourse" investigates modernism and postmodernism eras. This paper also discusses music about music in the context of two important eras. On top of drawing inspiration and commenting on other music, the 20th century music discourse also entailed using musical quotations from either the traditional western music or other classical non-western music. The concept of music about music also involved the dedication of some music to other musicians or to other rhythms, tunes and compositions that were formulated before, which then influenced the musician to develop their own music. Thus, through all these influences, the western music in the 20th century generally became associated with the other music in different ways. The most influential music to the western music in the 20th century was the hymnal and folk songs, due to their classical nature that could easily be incorporated into different western music genres. Therefore, this analysis seeks to examine the rise to prominence of the tradition of music about other music, through applying three musicians the case study. The Italian musician and composer, Luciano Berio, is one of the musicians of the 20th century, who better exemplifies the application of the concept of music about other music. Most especially, the Folk Song composition falls directly under this category of music, considering that it is a composition arrangement of music from the folk genre that were drawn from various countries. ...
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