The essay "Baroque Music and Dance Culture" explores the culture of dance and music in the Baroque period through Suite No.1 in G. Composed by Bach it gives listeners an opportunity to experience baroque music and dance in their diversity and beauty…
According to Bartel, all movements in the suite were organized according to their “affection” (47). There was a limited number of affections available for composers; they were represented love, sorrow, pity, joy, rage, fear, presumption and admiration (Bartel 48). Suite No. 1 fully corresponds to this definition. The arrangement of movements in the Suite No.1 is a traditional one. However, according to Newman, Bach’s arrangement represents a later version of suite organization. In the early versions Allemande is the first which is followed by 4 other movements. Allemande is defined as a court dance composed in duple meter and performed in moderate tempo. According to Newman, Bach’s contemporaries characterized it as “grave and solemn music” (140). Most instrumental allemandes were unrelated to dances; it explains “subtleties” of tempo and harmony and makes allemande different from other movements in the Baroque suite. Allemande in the Suite No. 1 for cello represents the affection of “good order” and “satisfied spirit”. It is a bit faster that the Prelude but it copes with its mission to make people feel calm successfully. Courante is a dance of Italian origin written in triple meter. Originally, it had a rapid tempo; however, it transformed in the court music tradition in France and became a slow dance which expressed “great nobility” . According to Cyr, Bach’s fast and lively movement corresponds to the definition of “corrente”, the Italian version of the dance. It is often described as “hopeful”. ...
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“Western Humanities:Baroque Essay Example | Topics and Well Written Essays - 750 Words”, n.d. https://studentshare.net/music/670948-western-humanitiesbaroque.
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