Being a representative of Early Romanticism, Hector Berlioz was one of the true founders of Romantic era in music. Writing in the grand romantic tradition, Berlioz is famous for his large operas and symphonies. He brought the true Romantic spirit into program music and can be considered as not less significant and even revolutionary figure than Beethoven with his passion and emotional depth of expressions. Berlioz is mostly famous for his Symphonie fantastique and Grande Messe des morts; both appeared as true progress in program music organizing. Written in 1830, Symphonie fantastique is divided into five thematic parts or movements. This Berlioz's composition can be surely referred to as program music since it is subtitled as An Episode in the Life of an Artist and has its own narration. During the time of writing this symphony, Berlioz has extremely fallen in love with the Irish actress, Harriet Smithson, and this fact is the background of the Symphonie fantastique plot. As for the technical content and using new approaches in the composition, Symphonie fantastique is filled with the intensively dramatic music and unusual timbres and textures. Being a professional conductor and highly talented composer, Hector Berlioz used a large orchestra with prominent role of brass and percussion p to four timpani players. On the other hand, it occurs that Berlioz was also highly impressive and sensitive person, and, therefore, composition was always an extremely creative process for him. As it is said in introduction of Symphonie fantastique text: "In this condition his sensations, feelings and memories find utterance in his sick brain in the form of musical imagery. Even the beloved one takes the form of melody in his mind, like a fixed idea that is ever-returning, that he hears
This essay will explore the power of the orchestral music and what influence has it made during Romanticism period, and how Romantic composers have dealt with program music.Romantic composers who dealt with program music were not an exclusion from the influence of the indicated new ideas…
Lalo belonged to a time where most of the music was composed for the theatre and the orchestral and chamber music, were not very well received. This is the reason why despite producing innovative and extraordinary works, he did not gain much recognition during his era.
Most of the baroque composers came from Italy. They included Vivaldi, Monteverdi and Corelli. In the mid of the eighteenth century, the focus moved to composers from German namely Handel and Bach. Italy took the prominent part in the formation of genres like cantata, opera just to name a few.
As an impressionist, Debussy brought new compositional techniques like parallel motion of voices, bitonality, eradication of musical forms and harmony generally with addition of tones, parallel chords, omitting of tones.
Though bound by a sad and poverty ridden life, Franz Schubert is known to be one of the most talented composers of all times. Franz Schubert Franz Schubert happened to be an early Romantic composer of Austrian origins who was born on 31 January 1797 (McKay, 1997).
The author discusses the development of orchestra revolutionized concert music in Northern and Central Europe during the Classical period. Development of music in the classical period is a result of developments in the periods preceding it. Each period had music of its kind, which differed from the other in terms of composition and textual input.
In addition to that nineteenth century music involves the nationalistic colors to folk melodies that enabled the folk music to influence melodies, harmonies and rhythms. Hence, even the folk music evoked a nation or at least an ethnic group and thus resulted in several nationalistic movements in 19th Century.
With the accompaniment of time and effort, gifted individuals were able to create music in a very creative way that attracted people to love and invest on it.
On the other hand, part of a man's life is to continue working and living for the best every day and be prepared for every unexpected circumstance that comes each new day.
Each period represents a style of composition and orchestration. Anything differentiating from the norm or acts as a transition piece from one style to another is considered avant-garde, cacophonous and beyond the pleasure of the audience. A change is societal norms often is reflective of an inner crisis as in Beethoven's deafness.
Music during the classical period was mainly associated with homophonic texture or a clear melody that consisted of an accompaniment, with these new melodies appearing voice-like that enabled composers to replace the singers as the center of the music.
3 pages (750 words)Essay
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