In the essay “Music Exorcism” the author will go on to elaborate the meaning of the term especially as used in drama. In preparation for a critical discussion to demonstrate the point that exoticness depends not only on musical notes, but on the musical notes contexts…
Musical exoticism is not included in some specific devices. In its entire works, it arises through the interaction or association between the listener and the work. Let’s reinforce the distinctions reminding of individual characters and exotic environment, often portrayed in opera, rendered by non-exotic musical means. This tendency’s example includes Giuseppe Verdi, Il trovatore and Habanera &Don Joses "Flower Song" both illustrating and showing Milieu or culture in some foreign way to potential audience (Locke, 2012). Work is neither entirely composed nor consistently composed, of the elements to be identified as part of an exotic medium, distinctly. The listeners expectations and the composers’ intentions and means synchronization, will then produce an exoticism that’s a type of reception ultimately (Locke, 2012). Musical exorcism recent writings reflect the assumptions that are unspoken that a listener perceives a work as exotic only if it distinctively incorporates unusual or foreign musical style elements. In musico-dramatic works such as opera, set in exotic locales, music is often heard, by contrast, within a frame of narrative that shapes the response of the listener. Yet in the existing writings, music exorcism restricts its attention to the passages and few scenes that tend to sound non-western (Locke, 2012). It also leaves unmentioned the dramatic oratorios and Baroque-era operas that tend to focus on eastern tyrants that are despicable. ...
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“Music Exorcism Essay Example | Topics and Well Written Essays - 750 Words”, n.d. https://studentshare.net/music/719154-exotic-opera-in-the-19th-century.
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