A study of the first movement of Beethovens Symphony No. 5. It consists of two parts: musical analysis of the movement, and a contextual discussion of how the music does (or does not) support theories by E.T.A. Hoffmann and Richard Wagner…
The composition of this particular piece of classical music ensured that Beethoven’s name was ingrained into the foundations of genius artistry and established what can be termed as an everlasting presence on the influence of future classical positions.
The Symphony No. 5 in C minor was written by Ludwig van Beethoven was composed over time and actually took a number of years (four) to be completed(Fandel, 2007). This goes to demonstrate the amount of work and effort that was put into this creation and establish the fact that this particular composition was not just another musician playing around with his instruments but the product of an utmost professional who put 100% into his work. This masterpiece was written between the years of 1804-1808 and after its completion, it became one of the most if not undoubtedly the most popular classical pieces of music in the world. The symphony was played in a wide and vast collection of musical performances where classical enthusiast would gather together in appreciation of this beautiful work of art.
It was first performed in 1808 just after its completion in a theatre in Vienna known as Theatre an der wien and soon after that the piece of music received critical acclaim around the world. Over a century has gone by since then and this piece of classical music is still being played in theatres around the world by different bands specializing in classical music and by amateurs as well(Fandel, 2007). Lovers of the classical music genre have joined together to ensure that what can be considered to be one of Beethoven’s best pieces would not fade into obscurity regardless of the time elapsed since its creation. ...
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His first movement is in 3 parts plus a small coda. In the classical period, the first movement was in the Sonata form. Beethoven was leaving the classical style of starting symphonies with andantes and started his fifth symphony with a four note motif using the full orchestra where the brass were heard.
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