Because the program was organized in the evening, lighting was an important and integral part. There was sufficient lighting to make everything visible. The lighting system was also used as a decorative system as there were combination of different forms and types of lights in different switches and rhythms so synchronize with the music that was being done. Again, because there was a conscious effort to ensuring that fans and all other stakeholders within the premises of the theatre did not have problem with visuals, there was create visibility with the lighting system that was provided. It was the stage itself that did not have much light due to technical reasons such as concentrating the light only on people of whom the technical themes wanted attention to go to at a point in time. On the issue of ease of movement by patrons of the concert, particularly the fans, it would be said that even though the Royal George Theatre is a very sizeable place, for some reasons, it could not guarantee patrons of the program much movement. The problem was not due to that natural size of the auditorium but due to the fact that the songs that were done where danceable tunes, of which most fans wanted more and more space to shake themselves off with the music. Accessibility for people with disability would however be approached with a different tone noting that so much room was made for these people to have accessibility. There was actually a whole floor on the storey row that was preserved for people with disability. This was a step in the right direction as this floor was well fitted with accessible gadgets for the people with disability. Sound levels were perfect from a technical view point as organizers and the sound theme ensured that there was perfect harmony in the production and release of sound. There was virtually no instrument in the room, whose sound level was swallowed by the other and this contributed to the harmony in sound production and sound levels (Graves et al, 2002). But as expected, the voices of the fans swallowed the sound from the stage on some occasions, especially in cases where well known tunes were being played. In sum, it would be said that the venue of the concert was very comfortable in terms of sound and lighting but not so much comfortable for people who really were bent on using their dancing shows to the fullest. This is because the concert was organized to take a more diplomatic form whereby the fans would be passive rather than active participants. Performers The main performers for the show were the Gentleman’s Rule. These are a group of young and talented ten (10) male singers and composers (Gardner, 2006). The area of specialization of these singers is mainly acapella. On stage that night, the clothing of all 10 was something that deserves commendation. This is because the clothing was designed to give unique identities to these performers. For example they were dressed according to their vocal roles in the group with the led singer having what has come to be known as the Michael Jackson hand band. Light skinned clothes that would not make them produce so much sweat. The shirts were short sleeved to allow for aeration and the trousers were certainly made of cotton to absorb liquid well. The actions performed by the singers on stage often changed with the mode of the song being delivered. But the organization of the songs was done so well that
CONCERT REPORT OF GENTLEMAN'S RULE Concert Venue Concern venues are always important factors in determining the success or otherwise of major shows (Bulow, 2007) such as the Gentleman’s Concern organized on November 17, 2012. This is because the concern venue is the first outward appearance that any person has about the event…
I took a seat quite near the stage where the musicians performed and this made it all the more interesting watching the concert from close quarters. The concert conductor was Emmanuelle Haim and the artists performing at the concert were the Los Angeles Philharmonic and the Soprano Sonya Yoncheva.
res in the music industry, as well as, lecturers in music at well renowned colleges, the concert was the talk of the week well ahead of its actual dates, and I just could not wait for it. No advance tickets were availed, and all the attendants had to obtain them at the entrance.
The concert also featured special appearances by Thin Lizzy with Scott and Damon replacing Gary Moore, one of my all time guitar favorites- and Black Label Society, of which I am not a fan. Sadly, all good things must come to an end and Judas Priest will be hanging up their
This paper presents a brief analysis of the song Milonga de angel along with a review of the concert as a whole.
The milonga precedes the tango music style. Most of the milongas are fast. They are conventionally lent a solid rhythmic character by
e Ossetian excitement of Valery Gergiev might well seem an unlikely combination, but this coupling of two range standards offers attractive, well-balanced readings striking for instrumental delicacy and orchestral feelings. Overall, the concert sounds very well due to
Although the concert was a mutual effort of the whole team, yet the main performer was Kate Wohlman. She was the special guest at the concert and performed Faure, Debussy, Poulenc, Argell, and Broughton. The School of Music sponsored her.
The first piece to be discussed is Vivaldi’s The Four Seasons for violin and orchestra, Opus 8, Nos. 1-4. In these four concertos, referred to Le Quattro stagioni, Vivaldi incorporates three different movements. The
The tickets for the concert were available at the Royce Hall web site, where each ticket was selling cheaply at $25 for students with identity cards. The event started at 7 PM as scheduled with director Jeffrey Kahane conducting two double concertos as a pianist
The performance space was small with a limited number of seats to be occupied by the guests. There was a small place provided for the composers with a projector in the middle of stage. A seat was provided for the piano
2 pages (500 words)Essay
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