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Contribution of Claudio Monteverdi to music.
Pages 5 (1255 words)
Claudio Monteverdi, born in May 15, 1567 in Cremona, a small town between Milan and Mantua in Northern Italy, was a composer, violinist and singer. In childhood, he studied counterpoint and sacred composition with Marc Ingegneri, maestro di cappella at the cathedral in Cremona. …
As a teen, writing music in different new styles was his passion. As there was no credible record linking him to the cathedral choir, the music lessons could be deemed as privately acquired. The first music that he produced was some few motets and the sacred madrigals between 1582 and 1583; it had to do with child prodigy. In the year 1587, he published his first book that dealt with secular madrigals, and shortly began to look for work away from his native town. He then worked for Vincenzo I in Mantua, in the capacity of a maestro di Capella from 1591, until his dismissal in 1612. Later on, he took a more coveted post on the land of Peninsula as maestro di Capella at St. Mark's in Venice, until his death in November 29, 1643 (Monteverdi, 2011). According to Wistreich (2011), Claudio contributed a lot to the field of music. As an Italian composer in the late Renaissance era, he was the most significant producer of the then new genre, the opera. He was also instrumental in the church music by introducing a “modern” secular spirit. He is among the key figures that shaped the music history as his works majorly marked the new era of music. His substantial contribution included the introduction and also the defense of seconda practica. This was the new composing style that made the text superior over that the music motivation contrary to the Renaissance prima practica. In the prior era, the music dominated the words. ...
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