He has performed as a duo artist, as well as soloist artists, working together with Odeum Guitar Duo and Fred Benedetti. His Odeum guitar duo that have been recorded independent as Concert Hall Records, are popular and can be found at online music stores and iTunes. THE VENUE AND TIME OF CONCERT The concert was held at Cuyama College Performing Arts Theatre. It was on a Tuesday, April 9th, 2013. The concert kicked off at 7.00 pm and rolled through the night, with its activities extending to the next day. This was punctuated by some breaks. THE PROGRAM The comprehensive program of the concert was organized as follows Pavane v Pavane i Luys Millan (16 Century) Sonata K. 208 Sonata K 322 Domenico Scalarlati (1685-1757) Tombeau sur la Mort de Cajetan d’Hartig Passacaglia Sylvius Leopoldus weiss (1686-1750) I. Pieces characteristics II. Oliveras III. Burgalesa IV. Los Mayos V. Albada VI. Panorama Federico MorenoTorroba (1891-1982) El Noi De la mare El Testamento de N’Amelia Traditional (arr. Miguel Llobet) (1878-1938) Las Dos Hermanitas Minuetto in Major Fransisco Tarrega (1852-1909) Suite in d minor I. Passacaille II. Entrada III. Bourree IV. Sarabande V. Menuets I and II Robert De Visee (1660-1725 L Maja de Goya Danza Espanola no 10 THE INSTRUMENTS USED IN THE CONCERT The concert was conspicuously characterized by the use of the classical guitar. The classical guitar is different from the ordinary guitar in terms of the sound it produces, its weight, size and material used in making it. The guitars used had six nylon strings, as used in the making f nylon and acoustic guitars. The family of classical guitar that was used was flamenco guitar. It is worth noting that this name is derivative of the modern classical, but what sets them apart are the materials that are employed in making them. The strings are plucked to produce sound and this comes with the advantage that different sounds could be produced by plucking at different positions, as well as in different ways (Julian 34). The guitar play was characterized by alternation. This was arguably purposed at achieving the effect of tremolo, as well as fluent scales of passages. Alternation is whereby the guitar player is restricted from plucking a single string using one finger within one row. The presentation of Domenico Scalarlati (1685-1757), which included Tombeau sur la Mort de and Cajetan d’Hartig is what could never have gone unnoticed. The presentation was a depiction of a sonata that assumed a single movement, which was in a binary form. Furthermore, it appears the presentation was written either in the pianofortes and harpsichord. The presented gave one the opportunity to have an experience of the harmonic audacity, as far as the use of the discords, as well as the unusual remote key modulations is concerned. There are other distinctive features of the Scarlatti style and these included the influences of the Spanish and the Iberian music styles. What could also be discerned from the Scallatti’s presentation are the dissonances and figurations are suggestive of guitar forms. The presentation was also characterized by the fermata pause, often referred to as the crux, which is also implied by the repetitive configurations that modulate from the home keys. The Lys Millan presentations were also the interesting bits of the concert. The presentation was mainly the Sonetos with Italian influences, including those that were in the accompaniment of the solo vihuela. The presentations could be considered as those with considerable form of virtuosity, even though not all forms of ornamentation were provided. The styles at which the pieces were presented were a representation of a variation from the simple forms of homophony, as well as virtuoso passage
Wetzel was a pupil of Los Romeros, a legendary guitar dynasty. He was a private pupil. Since then, Wetzel has toured various parts of the world, including United States, Mexico and Europe. …
This event was sponsored by the Highlands of Ohio and held at the UU Church. My expectations before the concert was to hear some of the basic folk melodies which I knew as related to the Celtic music. However, my limited amount of knowledge with the music and aspects of playing led me into misunderstandings of what should further be expected and how to respond when in the given situation.
The concert by ‘The Stony Brook Symphony Orchestra’ took place at 8.PM sharp on Saturday, 9th March, 2013. The Concert Conductor was George Manahan . The program comprised of ‘Scherzo a la Russe’ (1945) by Igor Stravinsky (1882 -1971) a ‘Viola Concerto,’ Op.37 (1979) by Miklos Rozsa (1907 – 1995) and the Concerto Competition Winner for 2011 – 2012 – Chieh – Fan Yiu, Viola that took place before the intermission and this was followed by ‘Enigma’ Op, 36 (1899) by Edward Elgar (1892 – 1955) comprising of ‘Variations of an Original Theme for Orchestra.’
The concert also featured special appearances by Thin Lizzy with Scott and Damon replacing Gary Moore, one of my all time guitar favorites- and Black Label Society, of which I am not a fan. Sadly, all good things must come to an end and Judas Priest will be hanging up their
This paper presents a brief analysis of the song Milonga de angel along with a review of the concert as a whole.
The milonga precedes the tango music style. Most of the milongas are fast. They are conventionally lent a solid rhythmic character by
e Ossetian excitement of Valery Gergiev might well seem an unlikely combination, but this coupling of two range standards offers attractive, well-balanced readings striking for instrumental delicacy and orchestral feelings. Overall, the concert sounds very well due to
The band is made up of four men artists that started their careers in Los Angeles in 1983.
After such a long and strong standing career, the Red Hot Chili Peppers were able to produce memorable and classic rock pieces, some of which has already made a
The first piece to be discussed is Vivaldi’s The Four Seasons for violin and orchestra, Opus 8, Nos. 1-4. In these four concertos, referred to Le Quattro stagioni, Vivaldi incorporates three different movements. The
The tickets for the concert were available at the Royce Hall web site, where each ticket was selling cheaply at $25 for students with identity cards. The event started at 7 PM as scheduled with director Jeffrey Kahane conducting two double concertos as a pianist
The performance space was small with a limited number of seats to be occupied by the guests. There was a small place provided for the composers with a projector in the middle of stage. A seat was provided for the piano
2 pages (500 words)Essay
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