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Live Music Events/Festivals - Coursework Example

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Summary
The Second World War had a huge impact on the livelihoods of people and affected many things in the society including how live music was done. The period after the war saw some people trying to salvage the situation with the aim of going back to normal and it will be discussed in this paper…
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Live Music Events/Festivals
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Live Music Events/Festivals

The state plays the important role of promoter as well as regulator and these are very important factors that would either make a performance to thrive or to depreciate over time. During the post war era, the Arts Council of Britain was setup in the year 1946. It was initially setup as a peacetime alternative to the previous Council for the encouragement of music and the arts which had initially been setup in the 1940s (Simon, 2012). The arts council played a pivotal role in the sponsoring of live music events in Britain in the early days of its inception. The main role that the council played was the preservation of the important culture of live music while at the same time trying to make the live music concerts as accessible to the wider population as possible. The live music was seen by the government wing as an important part of promoting the culture and this was why it concentrated on it (Cloonan, 2010). Nonetheless, the state recognized western classical musical and funded it while ignoring any other genre of music and that can be one of the reasons why other genres were not as famous. In the 1960s, the recording industry had grown significantly dormant. However, the arts council continued focusing on live music and that has been the case ever since. In fact, out of all the four Arts Councils in UK, only the Scotland one has some funding set apart for the purposes of recording. It is worth noting that in the over time, the state felt that support of fine arts was no longer sustainable and that led to the broadening of the art council’s remit. There were many effects of this but the most notable is that it led to the state funding of Jazz as...
According to the paper by the 1960s, the most sensational musicians had a huge challenge keeping up with the demand of doing the road circuits. The live performance of music had greatly grown in just ten years. One of the most important challenges that were faced by the live music performers was how to have a huge crowd gathering in the open grounds and monetizing the event. It quickly became apparent that the change of venues for big gatherings was significant. On the flip side, the small club owners were torn between meeting the demand of their customers to continue inviting live performers and the huge fees that the musicians were now charging for the appearances. In spite of these challenges, the live music performance continued to grow over the years and it is still a very important part of music in the present day. Apart from the musicians that benefited from the fruit of their labor out of the live performances, their music also gave other people fulltime careers.
This paper describes the importance of such unions which can not be bargained. However, while it is true that they helped the musicians, it is not true across the board. The musicians that performed the classical music were the biggest beneficiaries of the union’s movements. However, the upcoming musicians that were trying to do the new and emerging genres of music generally found the whole process unfairly skewed towards protecting the classical musicians from aspects that would make it extinct including new forms of music ... Read More
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