The film was entitled unnatural causes because according to an extensive research done by health experts and medical practitioners, it showed that social classes and racism were the greatest attributes to one’s health outcomes. The research showed that health status and wealth…
Social class and racism are not natural causes for sickness and hence the title of the film ‘unnatural causes’.
The film is similar with other media that I have seen, read, and heard on the issues of health disparities and how it relates to one’s social class in that people in the lower social class are prone to disempowerment. Their economic status is low due to lack of the necessary resources and opportunities and hence they tend to get sick more often and their life expectancy is low. The people in this class are subject to chronic stress and cannot have access to better medical care services. They tend to get sick more often and hence live shorter lives. Exposure to chronic stress of race in a lifetime often leads to delivery of premature babies thus affecting health and life expectancy (California Newsreel, 2008). The film confirmed biases I had in regards to being poor rich, that wealthy people lead better, longer and healthy lives as compared to the poor (Haitkin, 2008).
The question that surfaced for me during the film that I would like to know more about is how the health status of the low social class can improve. With America having the highest gross national product in the world, how can the poor have access to medical care and training on health issues? The statement that best describes what I learnt from the film is that health inequalities are not natural. This is because, health disparities that are because of racial and class inequities arise from the decisions the society makes (California Newsreel, 2008). As a future nurse, I propose that the society or the government should try to ensure that everyone gains access to health care regardless of their wealth in order to live longer and healthier ...
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Furthermore, the torture black women face for the fear of giving birth to the less weight children is adverse as the whites only associates the babies to poor practices such as smoking, poor parental care and taking alcohol. Another aspect of the society that causes psychological and mental health is the social gap that separates the whites from the blacks due to the level of poverty.
In viewing the Playboy of the Western World, we experience the one of a kind performance of the actors/actresses whose subtle performance makes us believe that they have psychologically identified with their character. When we watch the film, we see not an actress playing Pegeen on the stage but Pegeen herself.
The neo-realism of Italian cinema in the 1940s had a profound impact on other world cinemas, in particular Brazilian film, and a more diffuse influence on later European realist cinemas, including the French "New Wave" of the 1950s and 1960s (exemplified by the films of Godard, Truffaut, and Chabrol) and the "New Wave" and "social problem" films of 1960s Britain, which intersected so strongly with the fiction and drama of the period (Adair, pp.
It is also important to critically analyse the notion of the posthuman and the notion of the "other" in addressing these points.
"The posthuman view privileges informational pattern over material instantiation, so that embodiment in a biological substrate is seen as an accident of history rather than an inevitability of life" (Hayles, 1999, p.
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as not present, and a shootout occurred between them and members of the American Indian Movement (who had been invited to the reservation in order to protect traditionalist Native Americans from the epidemic of violence they were facing), and the two agents were killed, along
g and seeing moving objects and characters to make review and analysis for the same, written articles involves seeing and reviewing what one has seen.
Pablo Picasso’s first major debut in painting came in 1937 when he painted Guernica. In the painting, Pablo gives a valid
In this way, films appeal to the viewer’s subconscious. Thus, science fiction films can help uncover the hidden tendencies, uncanny fears, and phobias (Cornea 6). In order to create the emotional impact and
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