Before discussing how originality in art could be valued, it is important to specify what I would mean by originality itself. In the simplest terms, I would say originality is something new in some way. Based on this definition there is a wide spectrum of what could be termed original or not…
This relates to the initial question in this discussion. Would I buy an artwork not created by the one who signed it? Would I buy if it was an exact copy? There are four ways this problem can be argued or viewed against. The first is the aesthetic valuation. The artist who copies the original also copies the aesthetic value of the original. Everything that the original artist created or wished to depict has been reproduced and visually offers the exact same aesthetic experience. So, aesthetically speaking, the valuation would be equal. However, if we have prior knowledge that this work of art was originally created by someone else, historically, the value would be otherwise. The historical value of an “original” Monet would be different from a reproduction. In today’s world when making copies has become much easier through newer mediums such as screening, copies made by the artist himself or herself would hold well on the ethical scale. But if the copy was not sanctioned by the artist, the ethical value would drop. We must remember that the value of originality is a composite: that is, the value of this piece would still remain high on visual and aesthetic grounds but may fall on ethical and historical grounds. Finally, let us see what the above analysis have an effect on the value of the art piece in monetary terms. ...
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