Running Head: Plot the Overcoat Plot the Overcoat [Author’s s name] Plot the Overcoat by Nikolai Gogol The Overcoat is a short story written by Nikolai Gogol, who is a celebrated writer and often referred to as the father of Russian realism because of a strong realistic component in his stories…
(Graffy, 2000) The story entails an exposition that defines the initial premise of the story and Akakiy’s character, a passive civil servant, who is highly skilled in what he does but due to his appearance and aloof nature is often mocked by his superiors and inferiors alike. The focus of the story is then shifted towards Akakiy’s overcoat that has immense significance in the story to the protagonist because the coat was symbolic of social acceptance and a new life for him. However, the overcoat also serves as the main source of conflict and complication in the story, as all the other characters of the story do not understand the significance of the coat to Akakiy. Other characters deem it as an ordinary object, which on the other hand was symbolic of social acceptance for Akakiy as mentioned earlier. Akakiy’s old overcoat is ragged and does not really help to protect Akakiy from the icy cold weather of St. Petersburg. ...
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They only respect people who possess material that they are impressed with. Akaky maintains a downtrodden and poor image. The coat he always keeps wearing before obtaining the overcoat becomes worn off to transparency. His fellow workers do not approve of his poverty and therefore, torture him.
p.). It sounds as fantastic as it used to be in the middle ages, the atmosphere of narration hardly changed even in the XIX and XX centuries. The under discussion story “The Overcoat” is also on the same theme. A number of figurative themes and stylistic metaphoric combination is the cause of fancy in the story.
There are two main characters, the protagonist and the narrator. The story starts with a description of the protagonist, Akakiy Akakievitch. Here too, Gogol employs extensive symbolism. The protagonist symbolizes the lower class of Russia in the era this short story was written in.
Bartleby and Akakievitch die due to malnutrition of life's basic needs, an image that is symbolized by their reluctance to maintain a proper diet. They are uncommunicative, isolated and repressed. Their deaths go as unnoticed as did their lives. Amid all these similarities, however, stands a stark contrast in narrators.
The conclusion to "Nikolay Gogol's short story, "The Overcoat" is essential to the story because it brings closure that we can describe as successful and justified. While the ending of the story is fantastical, this does not hinder the story's meaning in any way.
ther, according to the philosopher, all plots usually have some form of suffering or pathos, but complex ones incorporate elements like recognition and reversal. The plot represents the core of the play and it can be split into three elements. The first element is the reversal,
But when our eyes met, the anger flushed out quickly because his eyes communicated how sorry he was for having hurt me. Nevertheless, I looked away to dismiss him as he said sorry. After the game, Firsum approached me and said sorry again.
cal manner whereas visual effects is all about post production editing done mostly by computer software and programmes hence making a movie or film to be exciting. Examples of movies done under visual effects include Tron legacy, Robocop, Inception, GI joe the rise of Cobra
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