Among the seven versions of Cinderella, the three chosen here are each in their own way a reflection of the society from which they originated. The Chinese version gives rich insights into marriage customs and courting rituals, whereas the French version reflects the period of chivalry during which it was compiled, where all ladies were beautiful, gentle and kind…
Whilst it is always ‘haughtiness punished and made humble’, the expression this takes varies and ranges from self-immolation and a mere humbling before ‘beauty and goodness’ to the administration of severely sadistic punishment. The stories have a lot more in common in that the father features as a weak or ‘absent’ character, either unwilling or unable to interfere on his daughter’s behalf and the role of protector is instead taken on by a mother figure – dead or magical - or a spirit. Thus, in the “Mother Goose Tales’ version, Cinderella has a godmother, who comes to her rescue. The girl has also a particularly sweet disposition and fulfills her arduous duties admirably, in the face of taunts and insults. When the prince eventually finds her and marries her, she does not demand punishment for the sisters. Instead she forgives them and asks them just ‘to love her always’, taking them with her to the Palace and arranging advantageous marriages for them. In this particular case, it is the sisters themselves who, without reprimand from Cinderella, acknowledge past ill behavior and attempt to gain her forgiveness. The humbling act takes the form of voluntary prostration before the beauty. ...
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((Fairy Tales: A Closer Look at Cinderella) Essay)
“(Fairy Tales: A Closer Look at Cinderella) Essay”, n.d. https://studentshare.net/other/25892-fairy-tales-a-closer-look-at-cinderella.
This means that the style is lyrical, containing sumptuous descriptions and a tone that is both reverential and relatively light. The rhetorical devices of metaphor and simile are common, since they are used in flattering descriptions of the lady who is the object of the poet’s admiration, and also in reflection on aspects of love, and how it affects the poet.
Feminine images in fairy tales in some manner complement the lack of these images in the Christianity. They are the product of creative fantasies of the rural and less educated layers of the society, even written down by the researchers, like the Brothers Grimm or writers like Charles Perrault.
In Snow White and the Seven Dwarfs, the stepmother’s wickedness reaches as the limit as she has her stepdaughter first hunted down with an order to get the girl’s heart and then, after her first attempt failed, attempting to poison the girl with an apple.
Fairy tales mostly have a happy ending, with either the weak becoming strong in the end, or the wicked paying for the mistakes and agony they have caused onto others. They are characterized by unusual happiness, bliss, romantic twists and finally the happily ever after ending.
Some people have argued that children should not be exposed to fairy tales because some of them are scary; besides, they don’t teach moral lessons to children below five years. In essence, I see nothing completely wrong with letting children watch or read fairy tales like Cinderella or Snow White and The Seven Dwarfs.
According to the essay, there is a vast difference between the representation of females in fairytales and their portrayal in the Disney film versions of the same stories. “Cinderella,” as an example, indicates a tremendous difference between gender representation in the Disney film versus the fairytale itself.
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One morning he decided he had enough variety of caps to show the world, sell them and make more with the money earned. He packed almost a 100 caps, picked up food supplies for the journey and took all the money
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