(1) The presence of God in African culture was discussed in both texts. It can be regarded that the influence of God in the Black culture is very much apparent and extensively discussed in both of the essays. The indispensability of the force of a higher being and how it shapes the everyday existence of the Black people can be perceived in the articles…
There is quite evidently the interdependence gravitates man toward such force and this compels him to revitalize his being by recreating it through art. “So God tired of all the possibilities that remained confined within Him, unexpressed, dormant, and as if dead. And God opened His mouth, and he spoke at length a word that was harmonious and rhythmical” (p. 49). Similarly, Du Bois reinforces the concept of a singular world without boundaries because all are created by one God. Yet out of this, he clarifies that there does exist a classification of races. “There does not stand today upon God’s earth a race more capable in muscle, in intellect, in morals, than the American Negro” (p, 13). This clearly indicates the significance of God in the lives of Black people, an influence that cannot be dismissed. (2) Senghor recognizes the influence of the Negro in civilization while Du Bois only assumes its part. By direct content of the essay, Senghor’s ‘Negritude: A Humanism of the Twentieth Century’ discusses the gist of Negritude and its meaning. It is as he describes it, a modern humanism. The Negro had influenced artists such as Picasso and Braque when they discovered African art. ...
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