Virgil’s Aeneid as a Roman National Epic Student’s First and Last Name Student’s College Author Note Student’s First and Last Name, Department., University of. [Student’s First and Last Name] is now at Department of., University of. This research was in part supported by the grant awarded to [Student’s First and Last Name] by [Sample Grant Programme]…
It shall be argued that, far from being a strictly literary work, Aeneid was an integral part of Augustan project of rebuilding Roman national identity, with apparent focus going from Republican virtues to the notion of divine predestination of Romans to rule the world and to the idea of divine mission of Julian dynasty as heirs to Aeneas. In this work, I will use three main sources. The first one, Epic and empire: Politics and generic form from Virgil to Milton, is a book by Quint (1993) that examines the influences of epic poems on state ideologies. Focusing on Aeneid, in particular, Quint (1993) observes that it was used to enshrine the autocratic rule of Julio-Claudian emperors, starting from Caesar Augustus himself, and that the political character of Aeneid signified the final politicization of heroic epics that began with Alexander’s appropriation of image of Achilles (Quint, 1993, p. 8). The second source, Virgil's gaze: Nation and poetry in the Aeneid, authored by Reed (2007), explores Aeneid from the standpoint of its character as a form of Roman foundational myth, itself appropriated from Hellenistic culture. ...
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In spite of this occurrence, Augustus Caesar who was the new emperor started instituting the new peace and prosperity era more particularly through promoting adherence to the traditional moral values of the Roman Empire. This hence brings about the importance of the Aeneid to Rome and the whole world.
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