The video considers a variety of early 20th century artists that implemented African art techniques, and argues that it was these early Western artists that in great part shaped the way later Western artists would use and implement African sculpture. The video goes on to demonstrate through side-by-side comparisons ways that Western artists appropriated African sculpture within their own work. It argues that in this appropriation Western artists oftentimes misinterpreted the African art. One such example comes in terms of a sculpture of an African face, and its appropriation in a Western painting. One of the weaknesses of the video is that it takes a somewhat pedantic view of influence in criticizing Western appropriation of these African sculptures. For instance, the video never gives an in-depth explanation of how the artists misread the African art. It also neglects to note that it may not have been the intention of the Western artists to accurately interpret the African art, but instead to implement its structural or artistic dimensions as a means of influence. Perhaps some of the most engaging elements are the video are the biographical footage it contains into the lives and apartments of early 20th century artists. These photos provide the viewer with direct insight into the lives and habitats of these Western artists.