The researcher of this essay states that since the ancient times, music has been used to mimic the sounds of life and nature, real or imagined. As musicians wanted to build a bridge between literature and music, various sounds from animals and nature like tweets, cuckoos, toots, shrieks, cries, horns blowing, hiccups, roars, rain pouring, wind blowing and the like are being used to form a coherent musical composition that conveys a story or a plot. This form of music has been existent since the ancient times, yet it was the Hungarian composer Franz Liszt who actually coined the term “programme music” in the mid 19th century, a time when Romantic music was very pravalent. For the purpose of discussion, programme music may be defined as instrumental music that attempts to convey a story or arouse mental images without the use of words. Liszt calls composers of programme music as “poetizing symphonsts”. Furthermore, he also strived to be able to distinguish the programme and its object. He claims that “the programme has no other object than to indicate preparatively the spiritual moments which impelled the composer to create his work, the thoughts which he endeavoured to incorporate in it. Given the examples of the composers and their works, that were mentioned in the essay, it is hence apparent how experimentation in the genre of programme music was important. It was indeed a risk for these composers to hence pattern the form of their composition to a certain programme they have pictured in their minds. ...Show more
The researcher of this essaay discusses the Programme Music, as well as its History and Significant Composers, such as hungarian composer Franz Liszt, who actually coined the term “programme music” in the mid 19th century, a time when Romantic music was very pravalent…
Music offers eternal bliss, and the world revolves around it. Cell phones, elevators, shopping malls, not to mention some or the other tune one keeps humming always. There is music around us, be it in nature in the form of birds chirping, wind blowing, leaves rustling, brooks flowing, or manmade form the version which majority of people enjoy and cannot live without.
Four Seasons, as a whole, is often considered the boldest or bravest of program music from the Baroque era. Each concerto is comprised of three distinct movements; one middle movement in a slow tempo and too fast outer movements.
Starting from the Russian Association of Proletarian Musicians (RAPM) which dominated the Russian musical scene in the late 1920s till the early 1930s, to the Shostakovich era, the Russian musical scene has been either in support or opposition to the government. The RAPM for example had a manifesto that was meant to reflect the psychology and the desires of the proletariats (Edmunds 2000, p.78). The RAPM until its disbandment also specialized in composing music that was conservative in nature and at times wrote instrumental music and performed mass songs.
In America, the song tradition is fairly young in contrast to that of Europe's (The American Art Song n.d.). Early American music had a uniquely British and European heritage as many American musicians took their music education in Europe and adopted their musical traditions (Sherrane 2007).
With the accompaniment of time and effort, gifted individuals were able to create music in a very creative way that attracted people to love and invest on it.
On the other hand, part of a man's life is to continue working and living for the best every day and be prepared for every unexpected circumstance that comes each new day.
Gustave Reese (1959) states that in the mid-fifteenth century, England was one of the leading musical nations, owing largely to insular traits best exemplified in the music of Dunstable. Somewhat later, composers of English birth like Morton, were active in the music making of the Burgundian court.
The term “classical music” is a very broad one, referring to the mainstream music produced between the mid-16th century and the beginning of the 20th century: a time also known as the common practice period. But the term can be stretched back as far as the 8th century and as far forward to today.
The concept of church music has also changed. In the 18th century composers seek to reveal the complexity of human emotions. Some pieces of music appear which were composed under the influence of religious texts or stories but not
4 pages (1000 words)Essay
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