However, it was not actually performed until 1906. "Spring's Awakening investigates and explores the theme of adolescent sexuality in a noticeably modern and expressionistic approach. In nineteen episodic scenes, Wedekind imparts and communicates the stories of a few teenagers. It tells of the experiences and feelings of these teenagers as they move violently through sexual maturity. What the play examines is the lack of knowledge and sheer ignorance of their teachers and parents. In essence, the adolescents are having such a difficult time because of the ignorance of their elders who do not guide them or assist them in getting through this difficult time. In actuality, their teachers and parents are themselves sexually self-conscious, repressed and withdrawn. This becomes apparent in the scenes of the play and they present themselves well to represent this aspect of the teachers and parents as well as the struggles of the adolescents in the play. Wedeknd's Expressionism is unmistakable in his use of heavily stylized dialogue. He mixes this dialogue with lyrical and cutting irony with prosaic speech to create a seriocomic tone. In addition, Wedekind has a character return from the dead. This is significant because it is something that could not happen in naturalistic theater. Through the dialogue and expressionist theme of the scenes Weekend presents a mocking and satirical measure of inadequacy and condemnation of the hypocrisy and prudery of middle-class German society, At the time of its release, Wedeknd's play was seriously censored. However, in spite of this it was also one of the playwright's most successful works.
In Act One Scene 5, it becomes apparent why Wedeknd's work can be thought of as a tragi-comedy of teenage sex. In the first Act the audience is introduced to all of the teenagers of the play in a manner that setrs up the remainder of the play. In this scene a fourteen-year-old heroine, Wendla is introduced. There is a future scene where Wendla is killed by abortion pills. , Scene five Act three. Wedekind has built her up to be the heroine at this point and this scene, despite all of the comedy presented thus far, is tragic.
The young Moritz has a significant part in Act Two Scene seven. Moritz who has been terrorized by the world around him thus far, shoots himself. It due to the world and because of his teachers that try to control him. These scenes are quite dramatic in the play but while being dramatic the underlying sarcasm of Welkin's work surfaces. The sarcasm is present in the work in both dialogue and the presentation of the scenes of the play. In Act two Scene seven and the ending scene the presentation of the scene and expressionism included in the scene, seems likely to be the suicide of Moritz's friend, Melchior, but in a confrontation with a mysterious stranger (the famous Masked Man) he finally manages to shed his illusions and face the consequences.: In order to fully do this analysis of Wedeknd's work the ways to properly analyze a play by O'Neil (2003) will be examined. According to O'Neil to analyze the essential elements of a play one must:
Through the use of the dialogue in the play, the characters immerse into the plot and the message Wekeid is trying to send is delivered. He is able to do this both in a comedic sense and one that is tragic as well.
MORITZ: The leaves whisper so eagerly. It's as if I