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The appreciation of beauty has been an integral part of human existence. The search for what is beautiful and the admiration of which has been equated to what is necessarily the sublime. Aesthetics has undergone a process of evolution throughout the years and has been regarded, consciously or not, to be a standard in the creation among artists and those who aspire to be.
This is where aesthetics sets in as a form of science. As John Keats most famously said “Beauty is truth, truth beauty, - that is all Ye know on earth, and all you need to know” 1 Aesthetics is not an exact science. The term emerged in Eighteenth Century to describe a number of various things and contemplates various theories that pertain to the conception of judgment in terms of artworks and all other objects it encompasses. It is a value and an experience concurrently or simultaneously. In the process, aesthetics is often regarded coinciding with the concept of taste. During the early years of aesthetics, beauty is something instantaneously judge for. This is best perceived in the rationalization of beauty that we experience regularly.2 This is something that is apparent from a day to day basis. It is determined by a number of things as taste may be varied from person to person but there is always that sense of uniformity in the general population of what is beautiful and what is not. From being delineated to the definition of the philosophy of art, subsequent years yielded focus on its value and experience in relation to the aesthetic attitudes. As a subject, Aesthetics is very vast and covers many aspects. ...
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