The continual struggle of Lester Burnham regarding the meaning of life eventually endows him with the freedom to assume total responsibility for his life, thereby taking the onus to give a meaning to his life, which though did not affiliate to any organized and systematic philosophical discipline is of immense importance and concern, so far as the life of Lester Burnham is concerned. Hence, eventually in the climax, Lester Burnham arrives at a meaningful conclusion that corroborates the essential existential theme that any valid philosophical quest ought to stand on a foundation comprising of the actual experiences of an individual. The eventual demise of Lester Burnham is not only satisfactory and well deserved in the context of his individual struggle, but is also indicative of the possibility of soliciting happiness by proactively engaging in an existential crisis. The existential themes inherent in the movie American Beauty could only be grasped by having a relevant insight into the actual plot and contexts. The central character in the movie that is Lester Burnham is shown to be up against a midlife existential crisis. In the movie Lester Burnham is shown to be a middle aged American male who is both a husband and a father. Lester is shown to be trapped in a marriage that is of no relevant meaning or interest to him. He happens to be the father of a daughter who actually seems to hate him. Lester is also shown to be trapped in a job that not only devoid of any motivation or interest, but also happens to be morally and ethically debasing and from which Lester Burnham intends to escape for the sake of personal peace and well being. It is only after Lester Burnham gets attracted to her daughter’s young and beautiful friend that he begins to assume responsibility for his life, thereby getting actively engaged in asking questions and making decisions that lead to his eventual sad but personally edifying death. In that context, the movie American Beauty facilitates a deep insight into the actual motivations behind the so called modern life and the commensurate human struggle to seek meaning and personal contentment. The movie presents to the viewers the varied existential themes marking the contemporary life through the existential struggle of the central character Lester Burnham, at the same time shedding light on the vacuity and inanity of the individuals and organizations surrounding Lester Burnham. The plot of the movie thereby serves two purposes, one to unravel the absurdity and ludicrousness hidden behind the conformist notions of life, and second the possibility of seeking happiness and fulfillment in the small things marking the human existence. One existential theme that continually pops up while being engaged in the unraveling of the seemingly banal and mundane life of Lester Burnham is that of authenticity. In a quest for personal meaning and goal, the existential struggle engaged into by the central character that is Lester Burnham, the character is shown to be living Sartre’s notion of authenticity, thereby practically symbolizing the fact that “authenticity implies the assumption of one’s moral responsibility, the recognition that one has to decide what is good (Schilpp 96).”Through his existential struggle, Lester Burnham actually establishes that authenticity is possible that even while being numbly engaged in an existential struggle, there does is a personal unity of consciousness, a personal capacity to be a proactive
Name of the Student Philosophy Name of the Concerned Professor 13 October 2012 American Beauty and Existentialism There is no denying the fact that American Beauty is indeed an existential film imbued with varied existential themes in an intricate and complex way…
As a result, choosing which identity feature to emphasize during a discussion of “Freaks” is difficult. “Freaks,” made in 1932, was a horror film made in the era before a rating system was developed in the U.S. Directed and produced by Tod Browing, its cast was mostly composed of actual carnival performers, or as they were called at the time, “freaks.” Instead of using costumes and make-up to portray freaks, Browning used performers who actually had the deformities portrayed in the film.
Movie Review: American Beauty. In his work, How Movies Helped Save My Soul, Higgins challenged us to examine a movie or film for underlying issues that are eating at our subconscious, and sometimes even conscious, psyche. We tend to observe the world around us from a distance, keeping as far away from unpleasant circumstances as can comfortably be.
American Psycho: A Reading Response Visual Poetics, Intertextuality, and the Transfiguration of Ideology: An “Eye” for an “I” in Mary Harron’s Cinematic Adaptation of Bret Easton Ellis’s American Psycho By Vartan P. Messier In the insightful article from one of the pedantic scholars of contemporary time, Vartan P Messier many innovative and novel discourses pertaining to the adaptation of films from texts in the recent years evolve out.
The rest of the actors include Annette Bening as Carolyn Burnham, Thora Birch as Jane Burnham, Mena Suvari as Angela Hayes, Chris Cooper as Frank Fitts and Was Bentley as Ricky Fitts. This film revolves around the character of Lester, who is a middle aged family man living with his wife and daughter, Carolyn and Jane, in a suburb (Spacey, Bening and Birch).
This commonplace view is conditioned by the level of sophistication of the vision of that group. It is conditioned by the elevation or the crassness of the group's idea of what beauty is. In the current context, in society beautiful is what the media says is beautiful.
The film felt clunky, exploitative and cheap. The third time I watched it, going through it scene by scene to make notes for this paper, I was struck by its capacity to evoke a multiplicity of associations, and so by a need to limit what I tried to say about it as I thought about the kinds of questions which it gives rise to.
Ronald Reagan, in his inauguration speech proclaimed, "The economic ills we suffer have come upon us over several decades. They will go away because we... do whatever needs to be done to preserve this last and greatest bastion of freedom" (Reagan). The 80s were being ushered in as a promise for a new prosperity.
It is conditioned by the elevation or the crassness of the groups idea of what beauty is. In the current context, in society beautiful is what the media says is beautiful. This means the thin model wearing the clothes and makeup that the gatekeepers of fashion say are
Millions of Germans were in need of accommodation and refuge, but America only allowed the outlined number. The American president, Herbert Hoover, ordered inflexible enforcement of entry permit regulations after the stock market crash of 1929 (London
2 pages (500 words)Movie Review
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