Principles of Aesthetic Value Roofing materials such as clay roof tiles are valued for their functionality due to their thermoregulatory capacity, keeping in heat during the cold weather and keeping it out during the hot months. These tiles can have various shapes, ranging from flat slabs to rounded or curved, and at times combines both flat and curve forms, which are mostly arranged in an interlaced pattern to prevent the elements from entering the interior (Takahara 172)…
Also, each individual tile’s form would be hard to appreciate since it needs to be seen at a close range, which can only happen if the observer has to climb up the roof and inspect each tile separately. Lastly, because of the changes observed with regards to the architectural designs of houses and buildings, clay roof tiles are already rare and could easily be forgotten by most of the general public, unless these people live in old houses that still have them for roofs. A formalist perspective in finding aesthetic value for clay tiles can be used in order to explain how some principles of aesthetic reasoning can be applied to make people see these objects into works of art. Each clay tile or its grouping or arrangement can be described aesthetically using the second principle, which states that “Objects are aesthetically valuable if they express the values of the cultures they arise in, or the artists who make them.” (Moore 464). While roof tiles have the same function in various places around the world, the make and color of these tiles are different from one another, since it can be expected that topography, weather, and climate would contribute to these variations. But aside from these, there are also differences with respect to the different architectural styles of each place, due to the availability of other housing materials to complement the design of roofs. Such differences can contribute to the cultural aspects of seeing clay tiles as objects with aesthetic value since the identity of various cultures can be represented based on how different kinds of roof tiles are made and crafted by artisans or craftsmen in each location. Aside from the principle dealing with cultural identity, another principle that can also be used to describe and bring artistic and aesthetic attributes to clay tiles would be the seventh principle of aesthetic reasoning, which states that “Objects are aesthetically valuable if they possess a special aesthetic (formal) property”. (465). Using the properties of unity and organization, clay roof tiles can be seen in another light by evoking onlookers a sense of unity and organization with regards to the arrangement of the tiles on the roof, as well as being properly-arranged, with no misplaced tile in sight. This can be much more appreciated in places where old buildings are still part of everyday living, such as the old houses in villas located in old towns such as Tuscany, Italy or in large Shinto or Buddhist temples in Japan. In analyzing clay roof tiles using formal properties and cultural perspectives, it is possible to make ordinary roofing materials into pieces of art which can evoke senses of beauty and history, among other things. Thus, this paper uses the argument that clay roof tiles are able to depict the customs, traditions, and artistic sense of the culture from where it comes from by way of the tile’s shape and arrangement on the roofs of buildings. The cultural aspect of the use of ...
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