The relationship between Hollywood and Pentagon is not entirely a new phenomenon, or something dubious. The Pentagon would claim that it evolved out of a historic necessity, during the World War I when the State very much needed domestic support for the war…
'Pentagon today sees the film business as an important part of public relations.' Military depictions have become more of a commercial for them.
Pentagon is not alone, many organisations like the CIA have their liaison offices in the Hollywood to influence the content of the film. But no doubt the biggest influence i that of the Pentagon's 'which exercises control over the films in which military are involved by providing soldiers and equipment or by refusing them.'
The Pentagon has three main objectives in trying to control the entertainment industry. The first is to teach history to the world as the United States sees it, or you can say an American version of the occurrences around the world, something like embedded reporting or embedded journalism. A real propaganda of the American policies.
Propaganda is a word known to everybody like journalism. Propaganda is the deliberate manipulation by means of symbols such as words, gestures, flags, images, monuments, music and the like of people's thoughts or actions with respect to their beliefs, values and behaviours. Pentagon's objective is nothing but to communicate to the world by means of images that assert that every military action has an absolute reason, and thus teaching people that American policy and diplomatic decision and well thought out and right. The Pentagon found the right medium in film and go on to assert that 'most people learn history from movies, not from historians.'
There are numerous examples of Pentagon censorships and subservience of an assortment of film industry executives directors and writers over the last fifty years. The studio chiefs in collaboration with Washington not only established a blacklist in 1947 to purge scores of left-wing directors, writers and actors from the industry but also produced a string of anti-communist films including The Red Menace(1949), I Married a Communist (1950), I Was a Communist for the FB I(1951) Trial (1952) and others to promote Cold War Hysteria.
The other attempts to re-tell, rewrite or teach new history involves denying permission to scores of films to use US military hardware and also helping others who changed their script according to the Pentagon instructions. Some of the better-known movies refused help because their directors refused to accept Pentagon demands include The Last Detail (1973), Apocalypse Now (1979), An Officer and a Gentleman (1982), Born on the Fourth of the July (1989) and Forrest Gump (1994)
James Bond movie Golden Eye that was produced in 1995 had a US Navy admiral betraying state secrets in its original script. This was changed to make the traitor a member of the French Navy!
Thirteen Days(2000) also had to delete all references to the US Army deployments in Latin America and Mexico including jokes about rape and pillage. Some of the characters were toned down or eliminated entirely for access to military bases for shooting! ...
Cite this document
(“How does the Pentagon currently try to influence the content of Essay”, n.d.)
Retrieved from https://studentshare.net/politics/290317-hollywood-and-pentagon
(How Does the Pentagon Currently Try to Influence the Content of Essay)
“How Does the Pentagon Currently Try to Influence the Content of Essay”, n.d. https://studentshare.net/politics/290317-hollywood-and-pentagon.
In other words, the term 'adult movie' is interpreted in this essay to include hardcore and soft-core pornography, as well as those that are legally permitted but contain sexual content, violence or profanity. In polite societies and in family environments mere mention of pornography can elicit embarrassment, shock or disgust from people.
In accordance with modern movie critics, such as Yau (2001) and Baker (2008), Hong Kong movie industry combines Chinese historical and cultural traditions, providing contemporaries with relevant interpretations of the valuable heritage of the Eastern cinematograph.
Both movies were released on 2007 after 9/11 attacks and that is because my paper focusing on the era after 9/11. It consists of two parts: the literature review part where I looked into numerous articles and studies that aim at explaining the situation on how Hollywood films depicted the Muslim community after the September 11th attack.
Advertising is the non-personal communication of information usually paid for and usually persuasive in nature about products, services or ideas by identified sponsors through the various media.This is all the art of selling and it comes under the heading of marketing.
Hollywood, which has over the years, given birth to many memorable characters through their immaculate presentation has achieved undivided attention from all and sundry. ‘Dysfunctional Family’, has been one
It is not really fair and farthest from the truth yet the undiscerning audience take this depictions at face value and believe these portrayals to be true. It is sad but the stereotyping of Hollywood about Arabs and Muslims
This has been made possible by the presence of media channels such as print, broadcast and even the websites. Modernization theory is largely based on the view that to develop means to become ‘modern’ by adopting Western cultural values and